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Color evokes a series of emotions in a customer which culminate in the purchasing of the respective product. If color scheme is effectively done in the manufacturing process and eventually the marketing phase, the consumer will embrace the notion of added value in the product. The designer’s ideas are the starting point of color workflow followed closely by the color specifications of the customer.
According to Hans (Foster, Krauss, Bois, & Buchloh 931), no artists are immune to the influence of socio-political value system irrespective of the field of artwork as well as place. Societies in which they live are very influential in their works and this has been experienced within the contemporary art world.
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This painting is specifically attractive with the portrayal of Christ and prophets reading scrolls. The color like valuable Ultramarine is really smacked with his era. The realistic and volumetric presentations of the figures with an attempt to improvise their faces, and so forth are the specific characteristics of his paintings.
The visual representations by both Pablo Picasso’s painting of Tauromachy and of Jacques Lipchitz’s Prometheus Strangling the Vulture show symbolic meaning and interpretation of a specific scene. The meanings related to both are defined by specific actions that are taking place in the work, specifically which relate to symbolism and myth.
While each of the visual works of art has contrasting differences from technique to ideas associated with this, the universal element of thought is still central to each of the works. Both focus on representing the thought patterns in society at the time and how this is a part of human ideologies then becomes the focal point of both pieces.
It may be concluded that special effects employed in “The Noah’s Ark” were limited, as in other medieval plays of Corpus Christi due to the very nature of the play being mobile. Such may likewise be attributed to its pedagogical character whose focus was to teach the Salvation History to the masses, rather than to entertain the people and provide artistically theatrical pursuits.
Scars have been acquired on the sides of the head as if it had been clamped in place at some point in time at the temples, and another area of scarring is evident on the man’s right cheek. All of these appear to be the result of the ravages of time rather than any intention on the part of the sculptor.
The critics of Manet’s time reacted to the painting with absolute horror, interpreting in it signs of the dead and decaying woman. “The expression of [Olympia’s] face is that of a being prematurely aged and vicious; the body’s putrefying color recalls the horror of the morgue” (Jankovitz cited in Clark, 1985: 288-289).
Firstly theories facilitate the understanding of the four forms of art ranging from painting to sculpture and from drawing, to the building. Theory helps one to look beyond or through a piece of art in relation to the subject matter for instance history, the social contextual of the object, the artist behind the art or that particular period.
The role of art in society has not been evaluated or understood especially when the arts in question are ancient and considered backdated. Ancient art has never been my focus because of their nature, but the situation has changed significantly over the course of study. Art can only be appreciated relatively on an individual perspective.
These artists were born and raised in Japan and their works of art all revolve around anime characters. They wanted to be artistes ever since they were young and this prompted them to enroll for Arts in the University. Murakami went to Tokyo National University to study Fine Arts and Music while Yoshitomo enrolled in Aichi Prefectural University of Fine Arts and Music.
The intellectual roots of realism can be traced to an ancient Greek historian called Thucydides’ on his classical chronicle of the Peloponnesian War, which took place between 460-395 B.C. However, it took almost two thousand five hundred years for the classical realists to emerge and the concept to be studied in international politics (Maliniak et. al., 2007).
The ceiling, once finished, delighted most of those who came to see it. “The pope was delighted with the unveiled fresco, surveying it ‘with immense satisfaction.’ Everyone visiting the Sistine Chapel in the days after the fresco’s completion was equally dazzled with Michelangelo’s work” (King, 2003, p. 299).
The paper shows that in the work of each artist, it can be seen that colors and shapes take on extreme importance in conveying the emotional content of the work. In each case as well, the subjects are only abstractly presented, allowing them to become symbols of the general rather than true depictions of real people.
That is a reality that most writers have come to accept even while considering that writing as an art form is almost as old as time itself. The hieroglyphs in the ancient Egyptian tombs were proven to actually be an ancient form of handwriting, the Dead Sea Scrolls and other books that make up the Bible, were written by hand in a language understandable to those of its time.
Music uses chords and tones to claim its existence and that the aspects involve must go to the level of collaboration between science (the analytical, theoretical music paper), art, personal interpretation, and imagination. The analytic and synthetic aspects must be acknowledged. A musical performance must not just be a mere form of entertainment but also a symbolic thought of progression.
In fact, the play puts a question of women’s perception as men’s property and the negligence of the latter towards females’ needs of mental and spiritual development and self-realization alongside with achievement of marital duties. All in all, Susan Glaspell’s work with a deep ironic meaning in its title manifests the need for females’ struggle for their human rights and equality with males.
One of the notable philosophers who lived in the 17th century was Thomas Hobbes, who is remembered for his contribution to philosophy through the social contract ideology among other works. His theory of the Social Contract played a critical role in the mid-17th century as it came during the age of enlightenment (Friend 2).
When Schubert wrote his music, he was so mindful of the ‘rests’ that he paid them as much attention as the notes. Rests, in music, are silence. Music lovers realize they listen to a lot of silence. Artists pay a lot of attention to the distances in their paintings: the spaces with nothing in them - negative space - are vital for perspective.
Products of arts, whether it be visual, musical, or poetic, are greatly influenced by the particular periods of time from when they are made. Aside from its artistic value, paintings, sculptures, music, and alike are used by artists as a medium of expression to describe the events, issues, as well as existing societal trends that characterize the particular periods in history.
The concept of visual art as a proponent of change and philosophies that surround society is one that is complex and questioned through several theorists. According to Fisher, the idea of this philosophy is one that is imaginative and which does not create a shift in thinking from various individuals.
We can see how the same tendency to attempt to give our reality more meaning contains basically the same intentions as our attempts to give our images more meaning by making them indecipherable from reality. Of course, this tendency only makes both reality and images less effective than what it could actually be.
Segal’s sculptors have been a mirror of Segal himself, as “a keeper of America’s conscience”. Segal is seen as the humanist of Pop Art displaying hopelessness instead of comic part of life. Ordinary people are parts of Segal sculptors; his characters seem to be white ghosts. It is a modern art excelling in plaster. Segal has sculpted his friends in figurative casts instead of using freehand.
No artist works in a vacuum. Art is the artist’s way of relating to the world. The artist relates to the environment and history, to the culture and his or her life and place. Art is a way of relating to everything else. It is the nature and purpose of art to create a reaction in the audience, and this can be thought to be permanent in that the reaction can never be undone, only changed.
Semantically, we hear a different kind of language being spoken. The voices and words that are heard by the audience emanating from the home are filled with unbridled emotion—anger, sorrow and hatred (Medea) and fear (the children at the end of the play.) The public sphere where the Chorus acts out its part is the voice of reason.
Through each of these topic criticisms, there have essentially been double-sided issues, which either promote or negatively affect its theme. Ingarden’s text generally employs ideals, which aim to guide such themes as have been presented above. Through analytical conceptions, these themes have been presented and explained as concisely as possible.
The most disturbing, yet amazing thing is that all the surrealist images in the film, except for the encounter with the Grim-reaper-like-creature, are ordinary happenings in the life of a woman. Unfortunately, small production companies were unreliable sources of funding and with the coming of sound, film production became too expensive.
The beginning of the seventeenth century was marked by a high degree of social, political as well as moral uprising whereby theatres were closed, churches were shut down and kings being beheaded. By the late seventeenth century several progressive developments were observed in the field of drama and theatre, such as the foray of women artists on stage and the changing tastes of the audience.
Grannan's subjects are obviously glad to have us see what they look like with nothing on, and οf course we take a look. While Grannan exercises a certain amount οf control over these experiments in the banality οf voyeurism, I am unable to locate a scrap οf significance in photographic mood pieces that are one part pulchritude and one part ennui.
A similar process of modelization occurs with the body of the fashion model, which is drained of any biological realities. As Elizabeth Wilson puts it, “this is the body as an idea rather than as an organism” (Wilson 1995: 58). Contrary to what one might expect, the essential function of the body of the fashion model is not aesthetic.
7 pages (3242 words)
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, Literature review
In visual arts, perspective has been defined as “a method of presenting an illusion of the three-dimensional world on a two-dimensional surface”. The depiction of perspective is essentially the creation of a convincing illusion of space in a two-dimensional image, while all objects are portrayed within a single spatial system.
Both the works aims to explore the humanness of individuals. They wanted their works to reflect human beings more closely. It was their attempt to make the people relate more to their pieces of work. In both the paintings we can see that the artists wanted to bring forth the greater philosophies of life but in a more subtle manner
6 pages (1500 words)
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, Research Paper
The line is free flowing from one end to another. This is evident by the curvy or wavy lines running through the drapery. The neat and curly hair indicates the continuous flow of lines around the bust’s face. The piece has a clear edge and outline. The overlapping wrinkles and folds of the drapery depict distance and depth.
The approach of this discussion will be highlighting the use of a creative art in offering therapy to dementia, how it is implemented, possible outcomes and acceptability of the strategy by the players. This paper will explore and discuss how creative arts can be used to treat dementia and its impacts on social networks and participation.
According to the essay, if the author was one who did not know Merce Cunningham’s background, he would just see him as an old, shriveled, slow-speaking senior citizen dispensing wisdom on dance and life from his wheelchair and regaling his glory days when he had his share of the limelight as the star of the show.
The status of truly world-renowned artists has never been higher, as can be measured in the huge market prices that are achieved by works of living artists such as Damien Hirst, and more recently deceased artists like Picasso and Van Gogh. Some of the Renaissance masterpieces by Michelangelo and da Vinci also command almost priceless valuations.
This research tells that caricature is a simple work of art most probably a drawing or painting with finer details about the art. Caricatures are specialized on the exaggerating on some of the features in the artwork. In most cases, caricatures include exaggerated drawings or paintings of prominent people in the society
The researcher states that to Hamlet, who is totally alienated from the Danish society, the voice of the Ghost asking for revenge gives meaning to the life that has lost all meaning. The conception of his mission extends beyond killing into the cleansing of Denmark, and includes what was specifically forbidden by the Ghost, the moral rescue of his mother.
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The Italians were quick to discover how the mathematic perfection of the ancient world linked to their own proportional understandings as a means of creating more aesthetically-pleasing art. In making this link, the artists also discovered a respected means of communicating with their audience in a language they, too, could immediately understand.
Psychoanalysis arose from the Sigmund and has several connections to modern art. The significant relationship that exists between psychoanalysis and modern art is with respect to the art of insane as depicted in an early college of Ernest. The relationship exists right from the definition of Surrealism based on the description of Breton
The author of the paper will begin with the statement that how individuals view the world is often shaped by the way in which the media of the day present the ‘real’ world around them. However, what constitutes the ‘real’ world or how that portrayal is interpreted is based upon the given approach to narrative.
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To sum up, a design may or may not be regarded as an artwork from the perspectives of the institutional theory of art, cultural niche theory and users approach depending upon the context and response it elicits. However, these theories do not attribute essential qualities neither to an artwork nor to a design, and “anything goes” with them
One of the major differences between the law of symmetry and the law of proximity is in the law of symmetry; the symmetrical images are viewed in totality despite being placed far away from each other. The law of continuity states that the minds generally follow a kinetic, visual and auditory for interpreting data.
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The basic question that is pertinent to this research work is: should the general public, as taxpayers, provide the fund for realizing the value of arts in the UK? As this paper examines the scope and nature of the public funds used for art assistance in the UK, it will also examine the issue through 3 different perspectives.
The so-called archetypal ‘Renaissance man’, Leonardo’s work reflects the Renaissance obsession with form, perspective, and the human body. By focusing on his work Vitruvian Man, this essay will outline not only how this work of art captures a precise cultural moment but also how Leonardo moves far beyond his contemporaries.
Sometimes the actor feels a void from within. He understands the emotionality of the character, the pain, the sorrow, the happiness, the rage everything is understood in the exact depth, however, the actor can go blank from within. In such a situation the actor identifies a similar situation from his own life and tries to relate the emotionality.
9 pages (2250 words)
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It is a personal interest to research on Lewis as the famous sculptor is of a similar descent --- Indian American mixed with African American race. It is well known that several courageous women paved their way into history by standing up for beliefs that were considered unacceptable during their times.
In the first place, masculinity has been put into contrast with femininity with a view highlighting the visual effects of the superiority of a prince (the male partner of the ballerina) who rather inspires his audience to view Aurora and her nation from the standpoint of a liberator.
The author states that considering the first two aspects of science discussed by Feynman, they are very closely related, indeed even complementary. At the root of both these aspects is epistemology, the theory of knowledge. The philosophy of science might be considered, after a fashion, to begin in Ancient Greece.