This essay comparatively examines the aesthetic criteria, that is used in two contrasting reviews of an album in popular music, provided by The Rolling Stone and AllMusic. The researcher has chosen ‘Sorry For Party Rocking’ by LMFAO for this evaluation…
Download file to see previous pages...
This small assessment essay describes the critical comparison of two music reviews, that were written by two popular music review sites, www.allmusic.com and www.rollingstone.com on the album ‘Sorry For Party Rocking‘ by LMFAO. When you critically evaluate or compare both the reviews on the same album, you can easily come out with a conclusion each reviewer took different kinds of aesthetics to judge the album. The review written by John Bush on www.allmusic.com considers the amount of humor and energy that keep listeners stick to the album. This is what we call Aesthetic Contemplation. Listeners don’t need to understand the track to enjoy the song. This is the reason why John Bush rated the album as Good. The review written by Caryn Ganz on www.rollingstone.com looks into rhythms, synths and beats. Caryn just focused on trying to understand the meaning of the song by analyzing the rhythms, beats and synths. This is what theoretical contemplation is. The researcher then compares two reviews and concluds that both the reviews are assessed by using Seel’s three dimensional aesthetic experience of popular music. As per aesthetic contemplation, you immerse yourself into the music by forgetting everything for a short while. Aesthetic Correspondence lets you to shape our surroundings and Aesthetic Imagination helps you stimulate the imagination to get into the emotional characterization and we can easily come to a conclusion John Bush focused more on aesthetic criteria and Caryn reviewed based on rhythms and beats.
...Download file to see next pagesRead More
Cite this document
(“Two Music Reviews of Sorry For Party Rocking by LMFAO Essay”, n.d.)
Retrieved from https://studentshare.org/music/1437300-two-music-reviews-of-sorry-for-party-rocking-by-lmfao
(Two Music Reviews of Sorry For Party Rocking by LMFAO Essay)
“Two Music Reviews of Sorry For Party Rocking by LMFAO Essay”, n.d. https://studentshare.org/music/1437300-two-music-reviews-of-sorry-for-party-rocking-by-lmfao.
Why America has a Two Party system. In any democratic nation, there is a system where political parties get to compare their science of different ways of government. These parties get to control the government by the massive support they get from nominations (Siaroff 2009).
Differences between Two Major Political Parties
The American political democracy’s history has seen two major parties dominate the leadership front and in effect making the country a two party democracy where you are either a democrat or a republican. The country’s leadership has changed hands between the two parties, and as a result, there has been clear ideological and policy agenda demarcations that have been drawn by the two parties’ leadership any time they occupy the White House.
Obstacles to the reform of the U.S. two-party system.
While there have been some minor political parties, also referred to as third parties, in the history of the US, two distinct, competitive parties have exerted their dominance over the American party system.
The story does not reveal the exact cause of Paul's sudden death. It should be noted that Paul is deemed to be physically well throughout the story. There was no indication that he was suffering from any sickness aside from the fact that he is overwhelmed by depression and tension.
An obsessive-compulsive disorder is characterized as a type of psychiatric or anxiety disorder. People suffering from an obsessive-compulsive disorder tend to manifest the disorder by performing repetitive tasks to the exclusion of other tasks and activities.
from the independence of the state in 1836 to the year 1952 where for more than a hundred years, the Democratic Party dominated Texas politics to the point of exclusion of the Republican Party. The presidential elections of 1952 changed that dominance since the Republicans
cquired themes that gather to an aesthetic substance from which to infer on Cullum’s surprising ability to vary his musical styles through instrumentation with pop, classic, soft rock, and some influences both past and contemporary, he might have thought to rightfully fit in