The Concept of Listening to Music - Annotated Bibliography Example

Introduction

The concept of listening to music has always taken up different forms, such that individuals utilize various tools to listen to music. From this ideological perspective, the podcast brings into the general ideology behind listening to music more intensely to facilitate active listening. All in all, different ideological perspectives are brought into context to illustrate some of how critical listening can be enhanced. It is because of this that Damon Krukowski's (who is a musician and author) perspective is brought into context to explain how individuals can contemplate on using some tools that enhance their understanding of the message that is conveyed through music without distractions. All in all, it is significant to know that Damon tends to acknowledge that books will prevail in a situation where television shows have been forgotten.

The entire concept of identifying ways of facilitating critical listening to music revolves around the ideology that individuals listening to music will always experience a form of distraction in their surrounding environment. Quite often, it is difficult for a person to experience total privacy when listening to music. In this case, earbuds or headphones are identified as suitable tools that can ensure individual privacy when listening to music. For this reason, the conversation brought into context matters because it sheds light on some of how individuals or groups can be able to actualize the potential of getting the general message that is conveyed through music, not just listening to the beats or other aspects of a song. The general argument brought into context, in this case, tends to explain that the use of earphones can play an essential role in transforming the concept of space for music listeners in the urban setting (Krukowski 1-25).

In a nutshell, this conversation tends to bring enlightenment about the type of environment required for critically listening to music. With this in mind, one tends to realize that each song has a special message that is being conveyed. Therefore music listeners should be able to take on an active role in ensuring that they are not only able to hear the words of the musician but also feel the message being conveyed. Putting in mind that most urban settings tend to have both audio and visual distractions. There is a significant need for urban listeners of music to equip themselves with tools that allow them to have the desired experience. For example, urban dwellers can take advantage of devices such as headphones to listen to music when traveling from home to work using a train or other public means of transportation. Using headphones will help prevent noise from affecting their critical listening of music or other audio content in the public space. Earbuds and headphones can also play a vital role in facilitating the teaching and learning of music, especially where music students are expected to write musical notes based on what they hear. Headphones will, therefore, act as essential tools for facilitating critical listening, primarily where different musical instruments are used to compose a song. In consideration of the concepts brought forth throughout this discussion, it is clear that self space is quite essential for any critical listening process. It is because of that that one realizes that music listeners are equipped with the ability to create a private space in a public sphere when they use tools such as headphones (Wade 1).

All in all, it is quite clear that private space is quite essential for reflecting upon specific situations, ideas, and words. Quite often, private space tends to assure individuals the ability to select the most pleasant sound to list and digest. From this point of view, it becomes clear that each individual tends to have the desire to experience some level of privacy when in a public setup (Wade 1).

Even though there are different ideological perspectives regarding the use of tools such as earbuds and headphones to enhance a music listener's experience, by improving their sense of personal privacy, it is quite clear that deferent scholars have a different opinion regarding the use of such tools. From this ideological perspective, it becomes clear that counter-arguments against the use of headphones and earbuds would significantly focus on the long term health effect associated with the use of such tools. In a nutshell, these arguments would emphasize hearing impairment related to the use of such devices in the long-term. For this reason, it is essential to evaluate some of the primary factors that contribute to hearing impairment that results from using headphone. Understanding how people are affected differently with such tools makes it possible to identify some of the precautionary measures that will help people avoid adverse long-term effects. Doing so does not only promote the use of headphones and earbuds, but it also creates awareness of how to use these tools safely. All in all, the quality of music produced from these particular tools used in the public sphere is still an issue that has been put into question

Conclusion

In consideration of the concepts that have been discussed in this particular context, it is quite clear that critical listening is essential in music. Therefore, it is deemed necessary to identify practical tools that promote critical listening in the public sphere without compromising the quality of music. Though there are specific challenges that are associated with the use of devices such as earbuds and headphones, it is essential to identify precautionary measures to consider when utilizing such tools. Some of the recommendable preventive measures include using low volume music and purchasing tools that are of good quality. In a nutshell, it is the responsibility of any individual who wishes to experience privacy listening to music in public to take up the initiative of adhering to the set guidelines. A direct approach should be taken when it comes to facilitating the production or manufacture of quality tools for enhancing a music listener's experience (Widén et al. 1)