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“Sometimes, there’s a man, well, he’s the man for his time and place. He fits right in there. And that’s the Dude” (Coen & Coen, 1998). The Dude was a complete “imperfect individual”. He was content with whatever he was, to him being in peace is good and it is what makes him “Dude”. He was very confident in his capabilities as well as limitations.
His mother's tailoring mother's early influence on his work since many of his previous collages and painting techniques borrowed elements from tailoring like flat irons, needles, pins and threads. However, Ray was fully able to explore his artistic talents only after he enrolled at the Ferrer School in 1912.
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The compositions of the relevant results will also be scrutinized, along with the techniques used to create these pieces. This will decipher the meaning(s) portrayed by the work by looking at its style, iconography, and function. The artistic movements that influenced these works will also be examined briefly and related to the results to decipher any special meaning or styles.
There have also been arguments on the fact that documentary and drama can not be mutualized. A documentary is factual and drama is fiction, mixing both the forms is abrupt and debatable (Caughie, 2000, 4). Though there are many arguments against this which suggest that bringing drama into a documentary s a justified approach and is valid.
There is no sugar coating the events and turning it into some sort of fairytale. based on the cinematic and Freudian concepts mentioned previously, the film now becomes a dark study in contrasts without the isolation that glossy Hollywood films present. The narrative is clear in its message, the concepts chosen for use in the film were spot on.
We all know that what he all did was to show his students the true value of education and life. He did not just explain the concepts of his lessons matter-of-factly, but he elaborated it on a note where the students could realize that, “Hey. This is something I wanted to learn!” True enough, he was not just an ordinary instructor, but a very special motivator.
Mise-en-scene refers to the representation of space and how it affects the reading of a film. Depth, proximity, size, and proportions of the places and objects in a film can be manipulated through camera placement and lenses, lighting, decor, effectively determining mood or relationships between elements in the diegetic world.
It starts when Jeffrey (Kyle MacLachlan) returns home to the city of Lumberton after his father, Mr. Beaumont, suffers a near-fatal stroke. While walking home from the hospital he takes a short cut across a field and stumbles upon a moldy human ear, which he takes to the police.
Every white person preferred to be at a distance from her; they did not make friends with her nor did they like to talk, play or share stories or things with her. All this was a result of social distancing. They “distanced” themselves from her due to her mixed-race and skin color. This was plain discrimination indeed, but no one stood for her and she had to struggle to make her place in society.
Slavoj Žižek, in his book, Looking Awry, speaks of how Jeffries’s perch at his window reverses the idea of the ‘Panopticon’. Whereas Jeremy Bentham’s Panopticon induces fear in the observed because they do not know if they are being watched, in Jeffries’s case the neighbors seem to be completely heedless of the fact that they are being observed.
They are all situated in remote places surrounded by farms and nice countryside. While some monasteries can be accessed by public transport, all of them are accessible through private tours. “A wad of 1 leu notes, a few cigarette donations combined with a little patience will get you within the walking distance of the monastery of your choice” (Rodley, 88).
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Based on the above scrutiny, art can be defined in several ways. People belonging to a conservative culture may abhor the naked women’s picture. On the other hand, the members of the liberated group’s culture may not accept the nude girl’s picture. Bill Brandt’s penchant for nude women’s may create different or biased opinions Culture plays a vital role in art appreciation.
The social network gives us the price of the need for acceptance when it changes into the blind ambition of social climbing. This movie rejects the tropes of money and power. It explores the moment of time at which Facebook was invented, via the perspectives of clever youthful men who acclaim to be present at its inception.
The main features in both were to show a collective proof of public trauma of defeat, efforts to restore the public self-image, and expression of guilt for the impacts of American failings of policy and failings. However, each film producer utilizes varying or sometimes similar techniques to arrive at these aims.
The aim of documentaries was to answer all the questions in the minds of the audience, and to present all the available facts in order to reach a conclusion; thus, hardly anyone ever doubted the explanations presented in a documentary. It was often supposed to give a final verdict about an event.
The film is a shaper because it points out the societal ills that were present in the 1950s. It was therefore an eye-opener to everyone who was living in this era that the society was slowly decaying and the morals were slowly being lost. The shaping function of the film is very minimal when compared to the reflection function because not much change was initiated after the film was released.
The undercurrent throughout the movie is that taking the prescribed route into and through life may not be the path that leads to a life of self-fulfillment and ultimately satisfaction. The teaching style of the main character, John Keating is one in which he challenges the students to live life with passion using poetry and prose as inspiration.
The film by David R. Harper was for academic purposes and many scholars and students converged for sight from different parts of the country. The gallery was a place of scholarship through symposia, workshops, residencies or even for other projects that encourage the dialogue, provide new skills and also add experiences to the contemporary arts.
Research and analysis of the whole topic suggest that it is the prime need of people living in the current era to support and encourage art, movies and television shows in order to get innovations for future and frequent social, technological and economic development. Life without these important components of modern social structure would be free from challenges and innovations.
The Terracotta Army looked like a square pyramid. The Emperor planned to create the terracotta army to be a representation of the emperor’s kingdom. Its appearance is like a group of different ranks of soldiers in a parade, all standing in different postures receiving orders from their commanders. The inside of the pyramid-like mound was the army, divided according to rank.
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The African films fail to depict women in their true light in contemporary African society. Instead, women are shown as distraught creatures that rely on superstition, charms and their wiles to get power and prestige. This is often also wrapped in criminal acts, prostitution and other rogue-like behavior (Dabale 2).
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According to the Metropolitan Museum of Art History’s website, the Emperor in question was both a great collector of art and a very talented painter and calligrapher. The painting represented the spirit of the birds, as opposed to rendering the birds in perfect realistic detail. The painting is on silk, and the medium is ink and colour.
This film revolves around the character of Lester, who is a middle-aged family man living with his wife and daughter, Carolyn and Jane, in a suburb. This drama film is the representation of all those problems which are significantly associated with the American Dream, especially for the middle economic class.
Directed by Hugh Hudson, the film can be described as an inspirational, historical drama. Chariots of Fire is set in the early 1900s and tastefully addresses the issue of anti-Semitism. Based on the real-life experiences of two British athletes who participated in the 1924, Paris Olympics, the film begins with the backstory that started in 1919.
The film industry has experienced a massive revolution in the 20th and 21st Centuries. The adoption of real-life and historical occurrences has dominated. These occurrences are presented as fiction hence the film is considered as an adaptation of existent literature. The film breaks down the message and presents the occurrences in a way that the views can easily relate to.
In essence, the overriding objective concerning symbolism revolved around a focus on mystical, universal and spiritual idealism that replaced the decadent lifestyle in that period. Symbolist iconography mainly contains various arts as a visionary statement whereby a person looks within himself in order to produce a world of ideas.
Visual arts which include paintings and drawings have a big role in society. They encourage people to look at the world through different perspectives. This way, people are able to describe, explore and manipulate ideas creatively. As an artist, it becomes one’s responsibility to ensure continued access to the world of arts.
Fans regularly are intrigued by even minor parts of the objects of their fandom and use a critical partition of their opportunity and vigour included with their investment, frequently as a part of an interpersonal organization with specific practices; this is the thing that separates "fannish" (fandom-partnered) fans from those with just an easy premium.
It is quite difficult to come up with realism in both television and film. Realism receives consideration as a choice that is stylistic in nature. It receives notification that there is no point in time that realism will ever be real. It incorporates the use of artifice to reflect and bring out the reality.
The Great Leap Forward enabled all people to work together for the betterment of the country. We can all agree that China underwent a serious transformation and is among the most developed nations in the world today. Equality can also be seen during the Great Proletarian Cultural Revolution when Mao declared all chiefs and corrupt government officials as criminals.
Lung Do’s main issue is that he is looking for the meaning of life and universal truths. He said that religion has not been part of his American education and he cannot understand it (Aronson & Williams, 2008). He stresses that he wants something more in life than just having a business (Aronson & Williams, 2008).
Hayward (2000, p.127) acknowledges that film indeed popularizes the theory and that Western influences commencing from the nineteen-eighties are responsible for the new trends. This, she adds, has seen otherwise undermined feminine cultures especially in Asian and Black contexts take to embracing the elevation of the female figure in the film.
Underscoring facts and scenes in the documentary helps build and explaining the intensity of the conflict as the reporter explains in the documentary. Highlighting is yet another editing feature that the developers of the documentary use. The developers use different techniques to highlight actions in the documentary.
Many themes and ways to satisfy them have been depicted vastly by the cinema industry around the globe. There have been few themes and metaphors which are a direct by-product of cinema-graphic depictions. For instance like associating attraction and sexuality to slim body types, associating love to a pretty face, gang culture, drugs, prostitution, pornography and etc.
The author states that the boys’ mother got married elsewhere and abandoned them forcing them to survive on their own. With no parent in their lives, these children start a life journey that nobody really knows. They depend on each other to face and overcome various life challenges as they create and follow their own set of rules.
Though it was the very first kind of a horror film he ever produced, most analysts, viewers, and movie industries see him as a horror film master. Most critics are of the view that Hitchcock through his movie the Psycho shows the great violence imposed on women. (Brewer Chad: pp. 35) The movie shows a great sense of power evident n most films.
Yan’er is the personal maiden to Songlian who also has a great interest in becoming one of the concubines someday. She is a very secretive, daring, and intelligent young girl who employs her tactics to lure her master to bed despite being just a lowly graded servant in the home. She is very ambitious and scheming to manipulate everyone in the home.
The setting of the film took place in Canary Island, Los Angeles, Glasgow, and Tokyo (Gilchrist 6). Tokyo was the last set of the film where the famous known action movie star, Jason Statham, claimed to be Shaw’s brother, appeared out of the blues and took down Han, a member of Toretto’s crew (Finke 6).
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The film is about the lives of Iraq soldiers who risk in their lives to offer public safety as well as provide the well-being of the society they serve in. The film is an incredibly shocking, touching, and harsh as it reveals the new perspective concerning life. This film was made during the Iraq war.
According to “Postmodern Blackness” in Bell Hooks, racism portrays blackness as opposing and as having no link with critical thinking. Black power ideologies have recognized these stereotypic perceptions and the black’s marginalization. This has triggered a positive move towards black liberalization.
The major difference between Vivian Maier and other photographers is that she did not go to any school to learn photography. She did it because she loved taking photographs and her ability to capture various features with high quality was mainly based on her experience. This is not the case with many photographers because they attend classes to obtain knowledge of the various techniques of imagery.
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Wind up digital was initially started as a creative retouching house. It owes its background from Aaron's experience as a digital photographer and retouched during his years in operation. Aarons 15 year experience helped him gain the much-needed experience. He has been able to develop including executing various digital projects for more than sixty national magazines.
Higson (2011, p. 227) suggests that in terms of creating and executing war sequences which have a potential to fully demonstrate the extent of the soldiers’ suffering and the ruthless scenario of war, the team of Atonement (2007) has produced a sincere effort which presents a stark contrast from the portrayal of the Tallis household, their lifestyle, and opulence.
The film clearly is based on the occurrence at a particular time in history. Evidently, the film has historical significance since it champions the theme of overpopulation and crime in the city. It is important to note that, these themes are relevant to the current world. Evidently, it is clear that over the years, crime has been on the rise.
The movie shows that just like what small children used to believe, there truly are monsters in the closets of their bedrooms, especially after dark. The closet door at night leads to the city of Monsters known as Monstropolis that is powered by Scream Heat. This means that they jump out of the closet to scare the children in order to collect their Screams.
John has realized by now that he is trapped and finds it tough to dissuade her from pressing the sexual harassment charges, he seizes her arms to demand her attention, prevents her from leaving and tries to convince her about his stand. She screams and rushes out of his room and at this juncture the Scene II ends.
The film is an effective medium for political socialization, it was successful in communicating the political turmoil and other events that took place during that time to the people of the newer generations. The movie also explains the gender troubles and issues of homosexuality. It blames society for turning a boy into a girl and later humiliating him for being in search of his gender identity.
Due to the cinema culture crisis, the film mirrors the industry that created it, the society that spawned it and the global market that embraced it. There was a glimmer in the box-office upon the release of the film in Hong Kong. The film broke records in Singapore, Malaysia and Taiwan; and in mainland China, it was the biggest opener of the year.
Horowitz begins chapter 3 by asking the reader whether he/she has ever observed anyone put a lump of clay on a potter's wheel and after that, form a pot out of it. He continues by asking whether we have ever seen a glassblower form a vase simply out of a shapeless and molten matter.
Increasing the protection of children in and from art is important in today’s excessively permissive and liberal environment that significantly blurs the boundaries between life and artistic expression, amid the increasing concerns of child pornography and media reports of pedophilia. Art-based organizations have an obligation to protect children’s rights.