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The Poetic Styling of Emily Dickinson - Essay Example

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It is without much difficulty to notice and grasp the thematic sense of Emily Dickinson’s poems which in a way or the other have striking semblance among themselves, being chiefly characteristic of death, immortality, and human relations. …
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The Poetic Styling of Emily Dickinson
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Download file to see previous pages Most of these creations convey the real flesh of her emotions and perspectives about life and death as reflected in her own experiences, though of reclusive existence.
In the poem ‘Because I Could Not Stop for Death’, the capitalized subject ‘Death’ appears personified as a gentleman caller who takes the speaker as a genuine lover does to the ‘Carriage’ which symbolizes a matrimonial vehicle. ‘Immortality’ in the first stanza is likewise given the role of a passenger who seems to witness and affirm the bond between the two. ‘We slowly drove – He knew no haste’ would feel as if the poet’s notion of ‘Death’ is far from a single abrupt event but a journey that has a driver in the process. Dickinson uses an almost soothing tone along these lines to signify how well the speaker acknowledges the coming and the full presence of ‘Death’ which, in this case, is depicted as no longer an element of fright or disturbing apprehension. So instead of being terrified as of a sudden occurrence, she welcomes ‘Death’ to the point of admiration and respect through the last three lines of the second stanza.
‘Ring’, ‘Gazing Grain’, and ‘Setting Sun’ are terms used to indicate the inevitable stages of human life which the speaker encounters herself from early childhood until old age and the allegory of the ‘House’ described by the speaker as ‘A Swelling of the Ground’ is in figurative reference to the ‘grave’ implying however a sense of familiarity. By considering ‘House’ to mean ‘grave’, the poet likely shifts or radiates the positive significance of ‘home’ and its comfort and sign of life than a burial place. Other than ground swelling, she does not even make mention of decay or any term close to pertain to loss or deterioration which the literal ‘Death’ characterizes since the speaker plans to conclude her union with ‘Death’ as progressive with ‘Tis centuries’ and the phrase ‘toward Eternity’. Similarly, Dickinson necessitates having to capitalize in her brief composition of 'Tell all the Truth but tell it slant'. One may readily recognize her intention of doing this to specifically lead the reader to the remarkable aspect of stressing paired terms that should register the key ideas to understanding the concept of 'Truth'. According to the poet, if the 'Truth' be ever told, it must be gradually carried out so as not to severely overwhelm the seeker or whoever obtains its disclosure by surprise. As elucidated in her application of simile on the second stanza, 'Truth' telling is likened to informing 'Children' of 'Lightning' which strikes with enormous impact and such knowledge might come too much for the children to bear if unraveled all at once. A keener inspection of the line 'Or every man –' would conjecture Emily's influence of the Holy Bible when Paul was blinded by the excessive brilliance of the bright light which the angel who appeared before him on the road radiated. In sense, the poet has created a spiritual foundation for her basic principle of 'Truth' yet the briefness of the poem equivalently summons the reader to explore the interesting irony within its origin which takes to account Paul's life as a persecutor had kept him from seeing the 'Truth' there is in Christian faith, implying that there already ...Download file to see next pagesRead More
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