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The author states that France is not the only society wherein dominating political and cultural myths are preserved, or, more seldom, questioned by cinematic themes. However, it is also factual that the reverence customarily given to French cinema has reinforced the major function it has fulfilled in relation to myths coinciding with the national past.
Without the severe modes of depression and violence in Van Gogh’s life, would he have become half as famous as he is today? If da Vinci hadn’t been exposed to the teachings of his predecessor, especially in regards to human realism, would Mona Lisa ever be painted? The elements that separate them from each other are what make them most notable and distinguished in the eyes of fans everywhere.
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Adapting Broadway musicals for the cinema -- examples of which are Oklahoma! and On the Town -- is extremely challenging and complicated for the film-makers. The difficulty lies greatly in choosing the approach in making and producing films whose manuscripts are largely derived from drama plays: realism or artifice.
Since the widespread distribution of the television set into private homes and the ability to transmit a number of stations, the situation comedy has been a popular program format. This format was developed during the 1950s with shows such as I Love Lucy which were themselves adaptations from live ‘dinner’ shows and other forms of entertainment such as radio and stage.
In conclusion, one can say that the movie Shawshank Redemption shows the redemption of Andy’s fate which he achieves through his strength of character and wisdom in an environment where he is attacked and beaten, psychologically and physically tormented by the people of authority apart from being exploited.
The painters were known to be essential as a precursor to their movements along with several artisans in their society. Picasso has the movement “Cubism”, while Matisse has the movement “Fauvism and Modernism”. The two were known to be friends. During an occasion, “Picasso met Matisse” while Picasso was in his latter Rose Period.
Oskar’s divorced mother and father seem completely disconnected from their son. Oskar retreats into an imaginary world where he is the tough bully threatening and debasing weaker boys. The film opens with the prepubescent Oskar standing shirtless, holding a small knife commanding an unseen foe to “Squeal like a pig”.
Human beings are such critical and fickle-minded creatures. As an art form, it takes a lot for a film to succeed in the industry. The term classic is awarded to only a number of films and critics may not even always agree on branding a film with such accordance. However, when it comes to classics, perhaps every critic would agree that the 1965 film The Sound of Music deserves recognition.
At the beginning of the Russian Revolution, Rodchenko was a painter. As his Communist beliefs became more clear, Rodchenko became an assembler or a Constructivist. He started to use the bare minimum in Communist posters. Geometric lines, shapes, bold block lettering, along with red, black, and white colours created a minimal look.
Although the two films are tracking one storyline, Ringu was regarded more as a supernatural-biological film while The Ring was more of psychological-horror. Specified genre already claimed differences between these two films. In order to give justifiable judgment and comparative execution of the two films, the common summary is necessary for better understanding.
The works and pieces of Goldsworthy are known for the naturalistic expressions which are built in a time of machinery and manufacturing (Goldsworthy, 1990: 1). This statement is one that has influenced other schools of thought and artists, specifically with the strong expression which relates to his works.
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This paper intends to present an in-depth study of the plays that have evolved from different ages in the literature through the manifestation of a comparative study. Along with that, the comparative analysis of the themes present in the plays culminates a perspective quintessential for the understanding of the role of these plays.
Both were influenced by the Japanese style which used flat bold colors and bold outlines. While Gauguin, in his attempt to break the bondage of Impressionist, moved first to Brittany and then to Tahiti, Henri lived right in the heart of Paris and Montmartre and drank up the nightlife to the brim. Physical deformity and ensuing caustic attitude to a life impacted many of Toulouse-Lautrec’s paintings.
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The West Chester movie scene indicates a stark difference between the movie theaters in other parts of the US. Specifically, the movie sales of theaters in other parts had declined to unprecedented levels. The secret of West Chester’s movie theater revenue increase is innovation - a sound system installed in almost all of its movie theaters.
The director Ang Lee had made this movie with a complete orientation on the gay relationships which was gaining importance in the 1990s.In this movie the key character Winston, the Taiwanese immigrant, and the American man Simon, is sharing a gay relationship with each other. Here the hindrance is emerging from Winston’s family who are orthodox.
As movies had become part of youth culture, their soundtracks had become the soundtracks of audiences' lives. But apart from a director's narrative motivation to support the thematic concerns of his youth-oriented films with an appropriate soundtrack, there is also a more sober motivation behind using the popular song on a movie soundtrack.
Even the judge drones his boredom during jury instructions. The many ethical dilemmas, values, and concepts depicted in this film include: Eleven of the jurors voted guilty in the first polling without the benefit of an evidence review.
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The book reflects the high standards of quality that the public expects from Lauren, and the story itself reads as a Horatio Alger story of a son of immigrants to America who builds a business empire worth billions of dollars. The mythology of the Ralph Lauren biography is itself symbolic of the attainment of success.
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The entire movie is based upon a big lie, one that The Farmer does not know about, at least at first. Abby is really in love with Bill, although they have tried to pass one another off as brother and sister. The Farmer is in love with Abby, and takes Abby as his wife, without knowing about the true relationship between Abby and Bill.
The top-grossing movie "Big" is a story of a twelve-year-old boy, Josh Baskin, who makes a wish to a fortune-telling machine called Zoltar Speaks, and wishes that he were "big." He wanted to become an adult after a humiliating incident in the carnival ride that he was not allowed to take because he was too short.
The use of special effects in digital movies in order to achieve attraction at times tends to dominate over the narrative perspective of the cinema. This is because it makes people develop some psychological reality while keeping them awake just because of the amazement of the trick and not because of following the narrative.
The movies discussed in the paper are How to Die in Oregon, Like Crazy, Senna, Kinyarwanda, Another Earth, Andy and Zach, and The Hunter and the Swan. These movies were exceptional on their own, and some of them even won the best awards for the season. A well-analyzed description has been further provided for each of these movies.
‘Like Crazy' directed by Drake Doremus is the story of Jacob played by Anton Yelchin and Anna played by Felicity Jones. Anna is a British exchange student who studies in a Los Angeles college and is seen giving a treatise on a MySpace webpage shortly before being distracted by a young boy with curly hair called Jacob.
All of the objects and the frozen actions uniformly convey the hidden truth that life in this uncertain world is full of phenomena that are short-fleeting. The beauty of the captured ‘floating’ moment in the picture necessarily lies in the fact that all the forms and contents of the picture essentially to be brilliant symbols through the abstraction of particular objects.
Portraying the elderly in mass media can be a challenging task, especially the development of roles that are non-traditional in terms of not being stereotypical. The media, in general, tends to be very unforgiving and does not allow people to age gracefully. On the other hand, in the United States, a culture of youth is strongly encouraged.
There is a difference between the animals that are kept as pets and those that are raised for food. However, the treatment of the animals kept on farms and other places that are raised as food are entitled to a certain treatment. They are living beings and this gives them the rights of fair treatment, proper food and a good living environment.
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Ringing in a 3D revolution with Avatar, shot with Fusion High definition video cameras, Cameron has raised the bar for Hollywood sci-fi, and more is yet to come. Owing to his skill and prowess, and his influence on the movie industry and Hollywood culture, he deserves worldwide recognition and respect forever.
Even the media helped in subduing the image of women by portraying them as the weaker sex, whose primary function in life is to be faithful wives and wonderful mothers. Gone are those days, however – well, almost. Not all women can be presidents of nations, but on a smaller scale, women have invaded areas used to be dominated by men.
Everything was thought out perfectly. Though you can see the lines coming from Jesus's head as though they were going into the celestial sky, they also are in perfect perspective to the geometrical design of the architecture of the Refectory. The other triangle between Mary and Jesus represents the cup of the last grail.
The revolution makes the audiences quite active in the movie or video they are watching. It is quite similar to the concept of simulation and modeling where people actually participate and assume that whatever they are watching is not just a visual effect but they are experiencing those things live and sitting on their comfortable seats, they can enjoy those experiences fully.
Riccardo Tisci, as the 21st-century lead designer at House of Givenchy, came out with the Japanese mariner-style coat, pictured above, for the 2007 fashion line. Obviously not a pea coat, this style takes a page from a different culture’s playbook of an era and co-opts it in order to make a fashion statement. The industrial look is now ‘in.’
All this can be done with the help of films that portray heavy fashion as they give people a chance to raise their voice and choose their own paths. Films are the best way to portray something and have a lot of attention attached to them, and since fashion is the visual aid that people’s eyes can feast on, any form of fashion provides the best form of rebellion in film.
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The nature of the development of written media through the 1960s and the 1970s was reflective of the social changes that were occurring during this time period. The films of the 1960s blossomed into reflections of the counterculture aspirations of the movements that were being proposed during that time.
The researcher would try to look into the basic definition of the “auteur,” as well as how it came about. After this part, the researcher would then try to describe the concept of the “auteur,” especially in the context of post-war European cinema, from the films of the Spanish director Almodovar. The researcher would try to focus on the different themes that can be found in the works of Almodovar, in order to explain why the “auteur” is now an important part of contemporary European cinema.
The author states that in Italy, modernism grew in two directions: Novecento and Italian Rationalism. The Classical Novecento movement, represented by Giovanni Muzio, paved the way for the development of Italian Rationalism represented by “Gruppo”. Sebastian Larco, Guido, Frette, Carlo Enrico Raba, Adalberto, and Guiseppe Terragni formed Gruppo in 1926.
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“Manga artist Mizuki Shigeru, a creator of the famous supernatural series GeGeGe no Kitaro, is one individual who could not be blamed for feeling like a victim.” In fact, Shigeru lost his left arm in the war but sees himself, it seems, reflected through his art in the way that the war was torturous and terrible.
Len Lye was a well-known avant-garde artist from New Zealand. He had played his hands on many forms of art with equal rigor. In Free Radicals, he synthesizes all his artistic abilities and sensitivities in order to create a truly majestic work. This paper intends to read Lye’s doodling on film through an examination of the multimedia character.
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The concept of Le Confessional, directed by Robert LePage, shows how the culture of Quebec is one which is associated with the history of the region and the connotations of the specific time frame. This not only shows a cultural type of grammar toward Quebec and the French during this time frame but is also directly linked to other movies.
The author states that Lau prides himself with his artistic approach to comics as well as his interest in creativity that is able to give a message to others who are interested in the up and coming entertainment of the next generation. Lau pointed out that regional artists are community-oriented.
The film plot involves a seemingly chance meeting of two strangers on a train. The protagonist, the Guy, plays professional tennis and enjoys some fame. His home life consists of a messy public divorce and an affair with a US Senator’s daughter. The antagonist, Bruno, offers a deal in which the two men trade murders.
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As the paper outlines, the need to document ‘real’ events existed almost at the same time when motion picture as a medium of communication became an integral and quintessential part of human life. In its early stages, the primary intention and the subsequent benefit of recording a live action or event were the freedom it gave to have control over time.
Many of these films depend upon well-known literary works, usually novels, for their plotline, and the screenplays reduce the content to a shorter presentation of the main themes and ideas. In a few cases, these films present both mainstream views of the period in question and other, ‘alternative’ heritage material that is set in contrast to the dominant norms of gender, race, class or sexuality.
And, in reviewing one of the films compared in this paper, Back to the Future, these themes are present, even though they are presented in a satirical way. On the other hand, sometimes time travel films are aiming strictly for laughs, not for any kind of examination or provocation of thought. Bill and Ted’s Excellent Adventure is an example of this second type of satirical time-traveling movie.
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Fictuality occurs in the intersection of the vanishing event and its creative treatment by the documenting and reporting subject, represented through the dynamic relationship that exists between the director and the audience in mass-media communications. Fictuality can be viewed through the lens of the camera, on stage, in the TV set, and through the mode of media reproduction used by the artist, author, or director.
The way Duchamp transfers the meanings of his own voyeurism to the audience is characteristic of an approach to spectatorship that views art as communication between subjectivities, with the object as a focal point for the transference to occur. Duchamp then deconstructs the fundamentals of the artist-viewer exchange in order to become a master of symbolic communication.
Though these sculptors have never ever been mentioned in the footnotes of history they are the ones that have achieved immortality as even after centuries have elapsed people still do not stop marvelling at the levels of finesse and perfection they had achieved with tools and implements that were rudimentary according to modern standards.
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The statement of the genre in Pixote as a documentary is followed with different techniques used throughout the film to give a realistic feel that portrays the violence of Sao Paulo, Brazil. The main concept is to show the aesthetics that are related to the violence as well as how this affects the viewer.
The repetition of a long note, followed by a note several steps above, and then below, creates the tension throughout the movie. Whenever this sound begins, the viewer is cued to have expectations, that the next few moments will hold within them something they have not seen before, revealed in a way they do not expect.
It was in 1987 that Sankara was murdered along with twelve of his colleagues when he was in his office one day. The murderers cut down his body and buried him. What happened the next day was that Blaise Compaoré, who was Sankara’s deputy, confirmed himself as the President of Burkina. Since that time, Blaise Compaoré has been ruling that region
The Latin American urban regions, namely, Buenos Aires, Mexico City, Rio de Janeiro and Sao Paolo were mainly dominated by films from mainstream Hollywood tradition. There was a lack of investment factor, which led the Latin American nations to encounter a great deal of difficulty in developing their respective national film industries.