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Special Features of Alfred Hitchcock Movies, Benefits and Criticism - Essay Example

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The author of this essay describes the special features of Alfred Hitchcock movies, their benefits, and criticism. This paper outlines the mind of the audience, camera and images, montage, humor, and German expressionism. …
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Special Features of Alfred Hitchcock Movies, Benefits and Criticism
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Download file to see previous pages They were startled thinking that the train would come forward towards them and many were reported to have sat back on their chairs, scared. On one side this cinema is documenting reality, the reality of the train coming to the platform. On the other hand, the same cinema is making the unreal look real, by making the viewer believe that the train coming towards him is real. (According to Ingmar Bergman “When the film is not a document it is a dream”—The Magic Lantern, PP73)
These two qualities of Cinema led to the division of it into documentaries and feature films or fantasy films. It was the French magician Georges Melies who first explored the possibility of fantasy created through cinema. With his inventiveness, humor and visual power Melies could create magic on the screen so that he was called the “Cine magician”. According to Robert Philip Kolker, “Lumiere and Melies are posited as progenitors of two separate modes of cinematic expression, the photographing things existing in the world, the other creating fantasies in the studio.”
MIND OF THE AUDIENCE: Alfred Hitchcock is one such director who took this fantasy part of cinema to an extreme. He got into the minds of the audience and took them to where ever he wanted to. Right from the screenplay, Hitchcock’s cinematic effort is oriented to the mind of the audience. Reviewing Hitchcock’s Rear Window (1954), François Truffault, the French film critic and filmmaker, wrote: “There are two kinds of directors: those who have the public in mind when they conceive and make their films and those who don’t consider the public at all. For the former cinema is an art of the spectacle; and for the latter, it is an individual adventure” (The Films in My life, PP77) Truffault considers Hitchcock belonging to the former category for whom “a film has not succeeded unless it is a success, that is unless it touches the public that one has had in mind right from the moment of choosing the subject matter to the end of production.” (Ibid).       ...Download file to see next pagesRead More
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