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Thus, the author used the traditional canvas; however, his choice of the materials that he put on it is quite interesting. The first layer consists of platinum leaves. Upon them the artists put acrylic pain. In other words, the very medium is a combination of rather different approaches towards expressing one’s creative energy. As a result, the message that is sent by it is mixed one as well.
Speaking of the size one might suggest that the painting is neither small, not extremely big. It is of medium size so that the details can be easily observed, but it would not take up all the space on the wall. The canvas is shaped as a square which greatly influences the perception of the painting: since the objects that are depicted on it are placed in a chaotic order at first sight, their positions greatly contrast with the right shape of the canvas.
As it has been mentioned above, the artist put acrylic paint on platinum leaves. The latter are shaped in a form of a skill and create the background for the painting. That is why to a certain extent there are several dimensions in the work of art with the figures drawn by the acrylic paint on the foreground. That is why it is rather difficult to determine the unified texture of the painting.
The colors that were used should be analyzed in great detail. Thus, the background is made of metal so it reflects the metallic color. However, the objects that are depicts are primarily white. Other significant colors include black (the color of the mask shaped objects), different shades of purple, blue and green (both are used while depicting the tongues).
The overall style of the painting is in between surreal and abstract. On the one hand, there are some objective depicted that have eyes, mouths, teeth and tongues, which allows the audience to identify them as creatures. In the bottom of the painting there is another creature that resembles a cartoon mouse. However, all the objects are
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He uses a nineteenth century French printed fabric made from linen and cotton to illustrate the tablecloth. Currently, it is located at the Hermitage Museum in St. Petersburg in Russia. Paragraph 2: The artist’s motif is vivid: several small still life objects placed on the table to decorate the interior.
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It is certainly a recognizable human form since
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As a result, domestic and international audiences could not get a pictorial representation of the Japanese atrocities in China. In response, Chinese artists with political inclinations started painting