The paintings of 2 wheel building - Essay Example

Architecture Introduction Paintings is visual arts in architectural design of the Goldfinger House, 2Willow Road NW3 displays an integral parts of building designs. Moreover, the paintings of the house depict the underlying paint decorations purely made in both the internal, and corresponding external parts of the building. The underlying relationship exists between the paintings and the building in regard to paintings mainly aims at improving the aesthetic value of the structure via application of the decorations or embellishing the architectural visual art of the construction. The painting also depicts the relationship of visual architectural arts communication in two dimensions (Hartt, 1985). Goldfinger House, 2 Willow Road NW3 building designs are intended to give religious communications such as idols included on structures and aiding in the conserving cultural heritage of the design architect or of the community. Ernö Goldfingers 2 wheel road house in the London borough of Hamilton, the paintings help in communicating a number of features that gives the picture of the designer and also helps in adding the artistic value. The paintings relate to the building as it helps in defining the building.The exterior paintings and decorations of the two wheel road building that is made of stone brick and concrete makes the building different as compared to the buildings in the neighborhood. The building designed by Goldfinger shows the relations of the paintings and the created work as an architect thus making individuals to view both the interior and the exterior decorations hence accomplishing adequate lightings and also provides the building its uniqueness I that neighborhood (Rosenthal, 2006). The paintings of the house display the modernist housing that tries to displace the immersed relationship traditional notions about housing, the exterior and interior decorations of this house designed by Goldfinger as initially considered by many experts of architectural arts as the manifestos of modernity, the paintings and decorations in the interior sections of the two wheel building allows for an experience of the atmosphere that matches the conditions in the nineteenth century dwellings. The paintings of 2 wheel building communicate the architect Goldfingers feeling about life. The paint decoration designs of the two wheel road house portrays a strange attraction, since  it provides an aesthetic procedure that can be used to legitimate Goldfingers understanding of what life pertains. It is understood that Golfingers main motive in designing the 2 wheel house was to get a permanent resident for his family the interior designs that include the painting works of the house is the main painting of what he understood about life (Hartt, 1985). In any architectural work, the architect can use the paintings to communicate the association of his understanding in regard to the real life perspective. This relationship aids in communicating the designers feeling about life. The exterior decoration gives the two wheel house unique appearance. The exterior decoration of the two wheel road house is made of stone, bricks, and concrete that makes it look as a hybrid project as it is not made to have the general modern white decorations, the traditional like decorations in the exterior section provides an understanding, that its intended to make it appear as a sympathetic building if seen from a distance this aspect is viewed to provoke the immediate neighbors like the four story Georgian and Victorian Houses; as it makes it distinguish as Modern manifesto of the return of the old school buildings construction designs that were built in England in the late 1930s (Hartt, 1985). The exterior decorations of stones bricks and concrete other than the use of the white paints that are common with the modern house like those in the immediate neighborhood also is viewed to make the two wheel house more conspicuous and more outstanding when viewed from a distant. The painting or decorations in any architectural design ensure adequate lighting into the house. This includes the light passing through the windows, doors and any other provisions, in the Goldfingers two wheel road House this is catered for by the drawn and redrawn windows that face the street, two wide windows that open to the balcony, and the white folding doors between the spaces that from outside appears to be folding white surfaces, the drawn and redrawn windows facing the streets have sales, proportions and frames that are outstanding, the frames were designed to be made of concrete and is now wooden full of keepsakes and small objects this provisions designed by Goldfinger provides for adequate lighting into the building (Rosenthal, 2006). The upper floor in this two wheel road house the skylight fills the open space that also aids in the provision of adequate lighting. The curtain walls on the dining room are designed with a photobolic screen that lies between two laterally placed strip windows with one always opened for ventilations are designs that were given to maximize light in the dining room. The whitewall paintings of the walls in the main living rooms and the main bedroom and the white cupboard fitted in the main bedroom also helps in improving the room lighting. The paintings of buildings in the front view provide for ease of view of the in detecting the relationship of the outside most architectural artworks in offering one-way viewing glass in their decorations for doors and windows for toilets, this allows for those inside to be able to see outside while those outside to have a limited view of the inside in Goldfingers design of the two wheel road house he provided design glasses in the front views ,the design glasses mainly in the ground floor are helped in viewing the guests using the ground floor toilet. The ease of views from the inside is also aided in security provisions as the users are able to see those coming into the house before allowing them into the house, the one way design glasses also allows for privacy as those outside the premises are not allowed to see inside (Hartt, 1985). The interior paintings and decorations of the two wheel road house provide an environment like that of a college that is inhabited which in essence goes against the modern means of standardization and reproducibility. Goldfinger used real and tangible art works as a mean of expression of the serene and admirable environment in the interior design paintings this is evident by the two smoothly painted concrete columns that stand clear from the glazing and on the back side there is a heavy white silk curtain that prevents the view of the Down shire Hill gardens, the decors given for two chairs between the interior and the exterior and a clock and some other ornamental items and paintings in the interior. The interior design is also characterized by paintings that add to the aesthetic value of the built environment. The sculptures in the two wheel road house have added greatly to its internal beauty and attractiveness the paintings that is displayed as the collection of African/modern sculptures on the window sill, Detail of a wooden childs alphabet, Wooden figure on a prototype chair model, close up of wooden utensils that were designed by Goldfinger are some of the sculptures that help in adding the aesthetic value of the 2 wheel road created work. The paintings in the created works helps in communicating the age or the time or era the building was constructed the outward look of the two wheel house shows that the building was not built in the recent times, but the building is though appearing modern considering the decorations from the inside making it a uniquely built work (Rosenthal, 2006). The paintings has any created work have a per tent relationship as the paintings or the sculptures included in the design architectural artwork helps in several aspects and communicates several vital information about the building, the interior paintings and the sculptures in the Goldfingers 2 wheel road house helps in displaying the traditional notions and ideals in the modern housing and the ideas of inhabitation, the paintings and design of the exterior and interior gives out the concepts for private or public housing and also domesticity in conceptualizing its modernity. The exterior decorations of the building help in distracting the unaware viewer as it portrays a traditional housing design but with features of modernity, these exterior decorations have exemplary made the building considered as the most distinguished in giving, manifestos of modernity. The two wheel road exterior paintings testify against the modern construction discourse as it reveals the romantic interest in modern inhabitation. Painting as an architectural aspect relates to the built work as it helps in the provisions of lighting in the house, this is shown clearly in the Goldfingers work, in 2 wheel road building in which he uses decorations and paintings to provide adequate lighting in the building  such as the whitewall paintings of the walls in the main living rooms and the main bedroom and the white cupboard fitted in the main bedroom also helps in improving the room lighting the left open spaces in the upper sections of the building also helps in lighting of the building. The paintings and sculptures also help in improving the aesthetic value of the building the painting and exterior designs of the two wheel road building helps in making the building conspicuous from a distance compared to the other buildings in the neighborhood. The building also communicates the feelings of the designers about the environment; Goldfinger appears to have loved simple life that is evident by the sculptures that exist in the house. References Rosenthal, S. (2006). Black Paintings: [Robert Rauschenberg, Ad Reinhardt, Mark Rothko, Frank Stella : erscheint anlässlich der Ausstellung Black Paintings/Haus der Kunst, München/15. September 2006 bis 14. Januar 2007]. Ostfildern: Hatje Cantz Verlag. Historic houses, castles & gardens. (1997). London: Johansens. Sewter, A. C., & Manchester Society of Architects. (1951). A lecture on the relationship between painting and architecture in Renaissance and modern times: Delivered to the Manchester Society of Architects, 13th Feb., 1951. London: A. Tiranti. Hartt, F. (1985). Art: A history of painting, sculpture, architecture. Englewood Cliffs, N.J: Prentice-Hall. The coach operators handbook. (1900). Peterborough [England: Rouncy Media. Read More