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A sculpture becomes one of the features of the environment. A sculpture is something that can be moved around, and touched from every side. The background of the sculpture changes as the observer moves around it. This is not achievable with a painting. Space reflected in a painting is quite limited in its scope in that the painting is hung against a wall. The environment of the characters inside the painting is restricted to the boundaries of the painting. There is an abrupt change in the environment as the observer shifts the sight from within the border to outside it. On the contrary, the observer can interact with the sculpture in a more realistic way as there the observer is personally an element of the sculpture’s environment. As a sculpture outweighs the painting in all of the discussed aspects of space, it can be said that the actual space is more powerful than illusionist
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2. The first painting of the White Horse by John Constable in 1918 depicts the environment in which constable spent his boyhood. Constable attempts to depict the area as it was truly was to portray a nostalgic feeling towards the place. The emphasis on details demonstrates that constable knew the place well.
1973 was technically a time when oppressive authority was being overthrown and discriminating against female artists was being taken down (Voss 51). For anyone who studied the history of art, prior to the surfacing of feminist artists in the 1960s, no woman artist was acclaimed for works that are considered crude, bold, or daring (Voss 48).
In an interview with John Van Hammersveld, Lauren Cullen for Examiner.com revealed that his poster “The Endless Summer” would be on display within the exhibition. In the interview, Hammersveld discussed the way in which the exhibit held a post-modern view on modern life, answering the questions he put forth by saying “What is Southern California but an ever-changing dreamscape backdrop for the postmodern ideal?
Even though we learn in school the technical aspects, art for me is still about the experience one goes through upon contact with it. The “connection” that you mentioned between places was something that I noticed too. It seems to speak a lot, that goes even beyond the connection of the place to our connection to everything else that we see in the exhibit.
The speakers define romanticism as a “broader group of arts and culture” with an “incredible sense of drama and emotion.” They said that it is “about putting human emotion to the fore.” The first painting discussed is John Constable's “White Horse,” which was done in 1819. It is considered as Romantic art because it evokes the “personal memory”.
hen very recently, I went to visit a community garden, and even though I know that art embraces a wide world of ideas and concepts, the thought has not hit me squarely in the face until after this. That is why I said it was an eye-opener. For all the time I lived in L.A., all I
It is similarly viewed as an object in an artist “body of work." The ‘term work of art’ is commonly used in art galleries, museums, and by the interested public.
I intend to visit Africa America museum located in Philadelphia to help me experience the work of art. This
“Third-Class Carriage” by Honore Daumier as an oil on canvas also used dramatization. There are overlapping characters and a dramatic use of color and intensity of light because it is such a darkly ‘lit’ painting. There is a dramatic contrast between what is light and dark in the painting.
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