The essay explores the "Cubism movement". Cubism is not the rebuttal of nature as is popularly believed by the art critics. It is just another thing. Braque and Picasso opted to embrace and emphasize the two-dimensionality of canvas…
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“Within the first two decades of the 20th century, a new art movement began that was unlike any other—Cubism. Started by Georges Braque and Pablo Picasso, most Cubist works are immediately recognizable due to their flattened, nearly two-dimensional appearance; an inclusion of geometric angles, lines, and shapes; and a fairly neutral color palette”.Imagination and influence of other artists was contagious and spread like the wild-fire! Artists were waiting in the wings, as if to tread the path of this novel mode of art. Additions and subtractions were made to the original conception of Cubism. The great artist Picasso was highly influenced by the works of Paul Cezanne and Jean Dominique. He experimented with ambiguous silhouettes. Next to catch his imagination was primitive and African art. Artists began to don the gowns of mathematicians. Cezanne advised the artists to treat nature in terms of the cylinder, cone and the sphere. Picasso and Braque did further improvements. After conceiving the totality of the subject, they fragmented and analyzed and then reassembled it in an abstract form. They were criticized and appreciated for their extraordinary experiments—that they abandoned proportions, continuity of life samples and organic integrity and material objects. Critics said that the works looked like a field of broken glass.Notwithstanding the criticism and differences in opinions, Cubism thrived. “The Cubist emphasized a flat, two-dimensional surface and rejected the idea that art should imitate nature.
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This paper examines movements of the modern art such as cubism, avant-garde etc. In accordance with Charles Jencks, who is an ‘architecture’s prince of Postmodern plurality’, avant-garde art is characterized by extremism, first of all. Jencks’ theoretical considerations about art were based on his views on European and American art development.
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This part will define and compare Cubism and Fauvism. Initiated by Georges Braque and Pablo Picasso, Cubism was the name given to the avant-garde art movement of the early 20th century. It not only revolutionized European sculpture and painting by adding a geometrical aspect, but also stimulated movements in literature and music.
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breaking it down into basic geometric forms in the canvas.
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This paper shows the contrast of "La Pietà" by Michelangelo and "Guernica" by Pablo Picasso. Michelangelo's La Pietà has a sense of beauty, calmness and maternal sadness. Picasso's fresco shows his profound sadness that his country of birth is in Civil War. Under the Franco regime, he never goes back to Spain.
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l art, whether in music, literature or artistic, with a major shift being that the art became increasingly difficult for the average person to comprehend (Northern.edu, n.p.). For example, the atonal music is one of the popular developments in the 20th century music art, where
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