The paper focuses on the influence of African art on Pablo Picasso's art. Pablo Picasso y Ruiz was a Spanish painter, sculptor, and stage designer. He was one of the most influential artists to have existed in his time as he invented the constructed sculpture. …
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The paper "The African Art Influence on Pablo Picasso’s Work" discusses the ways in which African art influenced the art of Pablo Picasso. It also provides examples of his artworks to support this idea. His most famous work of art was the "Les Demoiselles d' Avignon"1907 that portrayed the proto cubist as part of the movement that he had cofounded with Georges Braque. His paintings were astounding pieces of art as he demonstrated his prowess at an early age. The paintings he did carried with them the realistic aspect during his adolescent years. While in Paris, he revolutionized his tact by incepting art expressions by African artists. Picasso described artifacts from Africa as forms that did not represent ideas that existed in the natural world. For him, this was the beginning of an untainted carrier as his works stood above those of his rival artists. His style was unique, as he became one of the first artists not to draw influence from the western art. Remarkably, he became the pioneer of the new aesthetic form of communicative art that dwelled on expressions and ideas from Africa. In essence, the European Scramble for Africa aided the growth of African art in France. Traditional art found its way to France through the travels of the Frenchmen across its vast territory as part of their expeditions. Essentially, Pablo first encountered traditional African art at the Musee d’ Ethnographie, which was a museum in central Paris that interred antiques from the African continent. To other scholars and artists, this form of art was primitive2 as the continent had not yet experienced any form westernization. Ironically, Matisse, a French artist also influenced Picasso to majoring in to African art. During one of the dinners at their friend Getrude Stein, Matisse showed Picasso a Congolese piece that he had purchased from a supplier of African artifacts who went by the name Emile Heymann3. Picasso could not have enough of the piece that evening, and eventually it led him into making apiece inspired by the artwork he had seen. Les Demoiselles d ’Avignon Les Demoiselles d ’Avignon became a painting that a French critic viewed as one which had erupted from an ever-blazing fire. For instance, the fire that the critic referred to was the constant artistic battle between Matisse and Picasso. By doing the painting, Picasso tried proved to prove to the world that he was better than Matisse was. It was a reply to Matisse’s painting Le Bonheur de Vivre which he unveiled during an exhibition for the emerging artists. During the exhibition, the spotlight was on him because of the Le Bonheur de Vivre enormous piece that had captured the entire audience. This stirred up emotions in Picasso’s mind as Matisse’s painting had utilized color and form to create an incredible blend of the two concepts. As a result, Picasso did Les Demoiselles d ’Avignon as a counter attack to Matisse. The Les Demoiselles d ’Avignon painting involved two stages to complete it. The first stage had the original concept of women at a Barcelonan brothel that which he had visited. The second stage of doing this painting drew inspiration from his visit to the Trocadero museum of African art, which totally revolutionized the idea. He opted to use masklike faces that synchronized with a two dimensional plane instead of the initial attractive females who were nude. The Bakota people from Gabon inspired the figures while the Dan4 people from Ivory Coast
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