The researcher of this essay "Cubism or Fauvism" compares two art movements. Fauvism, pioneered by Henri Matisse in collaboration with other French painters, was characterized by its heavy use of the expressive roles of color…
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Unlike Fauvism, Cubism breaks up objects, analyzes and re-assembles them in abstracted forms. Therefore, rather than view objects from a single viewpoint, Cubism depicts its subjects in multiple viewpoints, representing them in greater context. Like in Picasso’s Houses on the hill, he uses block-resembling, cubic buildings to portray an image of houses on a divergent, rather than convergent, perspective. The intersection of the surfaces at random angles eliminates depth and a central vanishing point. This is further enhanced by the use of shades and the way colors are limited. Fauvism, on the other hand, used strong colors, which were not their subjects’ natural colors, to successfully bring out strong emotions, like shown by Henri Matisse’s Dance. He based it on his previous work that used less details and paler colors. It shows five, nude dancing figures in deep red paint. They are set against the sky in deep blue and a green landscape. Reflecting the artist’s interest in primitive art, Dance stretches out three clearly clashing colors on the canvas, with each drawing attention to itself. By reducing its subjects into their geometric forms, Cubism was able to make works done in 2-D appear as if they were done in 3-D. Artists were able to use geometric styles to simultaneously show a subject in more than one aspect. In Fauvism, the objects were painted in very simple designs and styles, with strong colors compensating for the simplicity. Although they did not appear realistic in comparison to real life objects., they were more realistic in comparison to objects painted in Cubist style. Part B The style I find more appealing is Fauvism. Cubism presents a more complicated form of art that is not easily translated. For example, in Picasso’s Houses on the hill, one may not recognize within the first glance that they are actually houses shown in a view that flows upward. This aspect is emphasized by the way the houses are intersected, shown from different angles on the same surface and lack of depth. The lack of depth also gives the impression that the furthest houses are above, rather than behind, those in the foreground. On the other hand, in Fauvism, the emotions brought to mind by the style of colors are immediately felt (Gerdts, 1997). For example, they way Matisse puts three exaggerated colors next to each other in Dance, he is able to portray the sky and earth as active components of the painting, rather than mere backgrounds. The warmth of the deep red dancers arranged in a ring against a cool background in blue-green creates a feeling of the rhythmical succession that is usually conveyed by dancing. A viewer can instantly feel the emotional liberation and
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This paper concerns the avant-garde art movement that revolutionized European painting and sculpture. Pablo Picasso was one of the artists who pioneered the movement. In 1907, Picasso painted the Les demoiselles d'Avingnon. In this figure, as Picasso and McNeese argue, the painting involves the use of several views.
Cubism is an art period where by, forms are vague and have non life forms by the use of a logical approach to a painting and the prime geometry of a subject. Cubism is a review of the period of impressionism that emphasized light and color. The cubism artists were trying to show their content of subject substance in the perception of the mind.
Analytical Cubism is the first development phase of Cubism and was developed between 1908 and 1912. The Analytical phase consisted of analyzing the object and then
breaking it down into basic geometric forms in the canvas.
This essay discusses Theories of Modern Art, Henri Matisse and Fauvism. Although the style was essentially expressionist, it similarly featured landscapes in which forms were distorted. Through an analysis of Fauvism and its manifestation in Henri Matisse’s paintings, an in-depth illustration into Matisse’s work will be established by focusing on ideas.
The paper concerns the role of the Pablo Picasso in the context of cubism. Picasso had written his autobiography, not through the medium of words, but rather manifested through his paintings’ sense of the aesthetic. Pablo Picasso along with his contemporary Braque were the fathers of Cubism.
The artists who believe that they should copy nature and who proclaim that they should not do so, are alternative beats of the same heart. An artist’s heart and strokes of the brush always respond and move in tandem with the rhythms of nature, knowingly or unknowingly. No individual is close to the nature as the artists.
With such teaching, Matisse got out of line from the post-impressionist culture and went back to impressionistic subjects and used bright colors as his signature. This started fauvism. The artist focused on his personal expression
Although it is true that cubism and fauvism both came to the popular artistic representations within a similar time period. The first of these has to do with the fact that Cubism is ultimately the representation of three-dimensional images in an abstract form. Cubist artists insisted that part should mirror sculpture; views promote a different understanding.
n, small but visible brush strokes, unusual visual angles, inclusion of movement as an important element of the perception of human and experience (Scott 150). The ordinary subject matter, open composition and emphasis on depiction of light in its varying qualities accurately
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