Picture Analysis - Essay Example

The picture captures the hearty vitality that the painting shows. Via strong and concrete auditory and visual images and through the strong measured rhythm, it reveals that the villagers loved to celebrate their lives. The picture can be described as an ekphrastic poem that focuses on a painting of a fair where a community or village participates in a very active and aggressive dance.  More so, the painter emphasized the bellies, shanks, and butts in the poem which suggests that roundness can be used to describe their obese physicality. It is also significant to note that the mouth is opened the largest when mentioning or pronouncing the word around and around further illustrating the pig-like qualities and characters of the villagers. The picture utilizes onomatopoeia as well as audio imaginary to try and make the painting appear real. It can be deduced that the annoying sounds in the paintings can be used to help describe the violent aspect of the dance as further as endorsed by the colors.

The picture was intended to show an amazing depiction of careless merriment and records of events of meticulous details of people’s life during that time. It intends to shade more light on the painting by showing that people preserve their hope and depict determination to persevere hard conditions. That is the message that is contained in this painting as presented by the painter.  Through the work, it is easy to learn and understand more about village life of that period and the people who inhabited it. For instance, it is easy to know how they dressed, danced, ate, and hunted as is the case in contemporary paintings.

The painter had in his mind a moral slant in that lust, anger, and gluttony are vividly seen in the painting. More so, the picture reveals the painter's intention of bringing out the message that despite being saints’ day, people have deserted the church. This picture cannot understand support its themes without referring to the artwork because the theme in this poem reflects what the painter intended to depict.