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The modern Conte crayons are in a different assortment of colors that focus primarily on the nuances of shading and designing as opposed to bold coloration. Using Conte crayons, a skilled artist is capable of achieving almost photorealistic and very subtle shading. Notably, Conte crayon often takes the different modes of painting including graphite pencil painting, wax crayon, and watercolor among others (Avery 55).
This is the initial stage of drawing and it is often referred to as the mapping stage. This stage involves drawing ordinarily on white Lenox 100 paper using a graphite pencil (Avery 57). The above drawing is the road map to indicate where wax should follow. Applying wax on the above drawing leads to a wax crayon that is shown in the figure below.
The basis of using wax in this sketch is to protect areas that are intended to remain white; therefore, areas that are intended to be visible white are waxed. It is appropriate at this stage to use a reasonable amount of wax, for instance, the size of the finger since that is would be sizable to cut. After this procedure, it is appropriate to slightly water the waxed surface to obtain a receptive and even surface. At this stage, it would be appropriate to introduce wash paint. In this case, a very light gray ink wash is introduced. Notably, the gray ink will not be used alone, but it will be mixed with small quantities of black ink. Mixing these two inks shall be done in a large presence of water (Avery 60). After obtaining the uniform ink, the solution is then applied or brushed onto the white paper. Notably, the waxed point will not darken like the rest of the drawing, but it will remain white. The media obtained herein is watercolor and it is done below. This process can repeat itself as many times and with different colors as possible, all the repetitions with depending artist and type of papain they intend to produce.
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