The writer of the essay "Analysis of the Poems Siren Song and Dover Beach" suggests that Margaret Atwood’s Siren Song and Matthew Arnold’s Dover Beach are both depictive of an oceanic scene which may remind the solitude conducive for a contemplative attitude…
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The established rhythmic flow herein is utilized as Arnold necessitates it on bringing across his work’s central point which is to appeal to Christian faith to remain steadfast amidst the scientific revolution at the time. To him, passion for Christianity makes The Sea of Faith. It is conspicuous that by his nature-based word choice to characterize theological devotion via the extent of the Dover beach, Arnold intends to exhibit how huge the world change has led the humanity to disillusionment against spiritual beliefs upon the emergence of modernization along with the theories regarding the evolution of life which are amply reflected in the latter portion of the poem as the third person speaker exclaims “for the world, which seems to lie before us like a land of dreams / So various, so beautiful, so new, / Hath really neither joy, nor love, nor light” in parallel structure. On the other hand, “Siren Song” seeks to liberate some untold sentiments, most likely of a woman, where a probable subject of romance is conveyed in a playful manner of teasing the reader whether or not the secret or the substance of the song’s lyrics be concealed any further. Atwood demonstrates the capacity to enable the audience to realize how the rich texture of her imagery in “looking picturesque and mythical with these two feathery maniacs” entails mystery since the “bird suit” is symbolic of a mask worn to hide one’s true character as in the seductress of the Greek myth.
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(Analysis of the Poems Siren Song and Dover Beach Essay)
“Analysis of the Poems Siren Song and Dover Beach Essay”, n.d. https://studentshare.org/literature/1583091-poetry-essay.
. In this elegy he expresses the calamity of his mind as far as the hope and faith are concerned. These calamities, restlessness, doubts of the entire Victorian age are presented in a dramatic monologue.
Its receding waters create a universal comparison to Victorian society in which people were no longer united by one faith or even faith at all. The sea and pebbles could also represent being alone in a crowd. The poem consists of 3 sonnets, but the last five lines are 'washed away'.
Both poems illustrate and contrasts reality and hope. The two poems can be considered classics owing to their subtle, restrained style, and compelling expressions establishing the physical and mental awareness of the speakers, who appear attuned to the sensory stimuli before them.
Arnold's poem is typically Victorian in its sensibility and there are traces of "Culture and Anarchy" ideals present in the poem's parameters of love and togetherness. It is the setting for the coming Modern crisis and existential angst, which is yet to be discovered, because in this poem there is still an unfelt prayer for God, for he is not yet dead.
It hints at the loss of faith in the Christian religion, as a result of the formulation of the theory of evolution by Erasmus Darwin and other scientific activities.
Dover Beach is also representative of the patriarchal ideology of the era.
, “It’s Time.” “Home” was a combined work of Buble with Alan Chang and Amy Foster-Gillies, which later paved the way for various other covers by another artists. Many have praised the song of Buble thanks to its lyrics and enchanting singing. A close reading of the
The sea acts as a metaphor, binding individual people together. Its receding waters create a universal comparison to Victorian society in which people were no longer united by one faith or even faith at all. The sea and pebbles could also represent being alone in a crowd. The poem consists of 3 sonnets, but the last five lines are 'washed away'.