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Adrianne Kennedy's Funnyhouse of a Negro - Essay Example

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This paper gives a review of Adrienne Kennedy's "Funnyhouse of a Negro". When reading the writing of African American women playwrights, aside from being conscious of their remarkable strength in confronting antagonistic and prejudiced socio-political environment…
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Adrianne Kennedys Funnyhouse of a Negro
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Download file to see previous pages The paper "Adrianne Kennedy's Funnyhouse of a Negro" discovers Adrienne Kennedy's "Funnyhouse of a Negro" in the context of expressionism. Kennedy presented the play as a writing sample together with her application in 1962 for admittance in Edward Albee’s workshop, where the play was initially acted at the Circle in the Square Theatre. Preeminently distinct at the moment as trial theater, the play radiates the surrealistic attributes of a nightmare. Its main character is portrayed as a young, fair-skinned Negro woman named Sarah. Sarah go into the play with a blood-stained and expressionless face; her head is bald and her fallen off hair is in her hands. She is described as an individual who is all together immature and antique. A rope fastened in a hangman’s loop wraps her neck. She conveys a dull and repetitive monologue recounting her assorted ethnic identities, narrating her educational achievement, her ancestry and her yearning to become an even more ashen Negro; she includes a condemnation of her blackness, declaring that black is, and from the beginning has been evil. Sarah is in the concluding phase of a condition of severe schizophrenia ushered in by a history of diverse physical and emotional maltreatments and, in a more significant conception, colonization. Four alter egos coexist in her hallucinations: Queen Victoria, Duchess of Hapsburg, Patrice Lumumba and Jesus. Patrice Lumumba embodies the African attributes of Sarah’s multiethnic and multicultural origins. ...Download file to see next pagesRead More
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