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Although the possibility of development of a celebrity culture is largely dependent upon the duration and extent to which a given media exerts its influence on a given population; it is yet certain that the effects of such media exposure cannot be escaped with ease and as media continues to exert its influence on a population, the development of celebrity culture becomes a reality. A prominent example of such medium is the Vogue Magazine, which has been influencing the lives of people of the society since 1892, when immediately after its inception, it succeeded in attracting the attention of the aristocrat class of the New York city, which at that time lacked a class of society that value the ritualistic and “ceremonial side of life”.
Taking a closer look at the history of the magazine reveals that the magazine remained under continuous evolution throughout the years post-inception. Keeping in view the fact that a class which admired ritualistic aspects of life was non-existent when Vogue started makes one wonder about the risk that Vogue’s founder took in 1892 (Weiss, 2014). The subsequent years however saw a dramatic rise in the number of Vogue’s readers; this was a clear indication that a class which appreciated such notions of life was evolving with the passage of time.
Right from the start, the magazine focused on issues related to the beauty of the female class of the society. In this regard, the magazine attempted to define female beauty and set aesthetic standards which corresponded to establishing social norms regarding the beauty of females. Additionally, the magazine continued to highlight the powerful figures of the world; specially the females, e.g. “A Rose in the Desert” which was an article about the Syrian first lady. If judged in retrospect, one can clearly understand that the subjects of this
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