Where relevant make reference to the royal art ancient empires of Ghana and Mali - Essay Example

Royal art ancient empires of Ghana and Mali Royal art ancient empires of Ghana and Mali Royal Memorial Statue This is the statue of Okyehene, the previous paramount chief of Akyem Abaukwa. During those days, a Paramount chief was a highly significant figure in society with immense historical significance. The statue is a full figure representation of the paramount chief. He is holding up his ruling staff thus depicting a commanding pose. Looking at the sculpture, one clearly gets the impression that the person was an authoritative figure.

The golden color of the sculpture only stresses the importance of the sculpted figure of the paramount chief. This is because gold was the one of the most indispensable item of trade during those days. This statue consists of a distinct style that brings out the real nature of the chief’s authority. The lines on the surface of the robe show the depth of the folds express on the sculpture. This only brings out the richness of the textile worn by the chief (Walker and Chaplin, 1997). Royal ceremonial regalia of spiritual and political authorityThis is an image of the King of the Kuba people from the Democratic Republic of Congo.

The king of the Kuba people was in charge of the political, economic and social organization of the kingdom. As a sign of authority, the king would adorn a distinct head gear comprising of certain feathers. These feathers were a symbol of authority only fit for the king. The other pieces of clothing contain exquisitely embroidered textiles that have organized geometric patterns. He also has anklets on his feet and bracelets on his arms, and he is holding a spear in his right hand. As a king, it was his duty to protect his people as well as command all the political power in the region.

Adorning in such attire was a way of expressing the power commanded by the king since no one else could wear such.ReferencesWalker, John, and Chaplin Sarah. Visual Culture: An Introduction. London: Manchester University Press, 1997