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However, the major challenge that has raised controversy is reproduction of art. There are different views on whether art should be reproduced. While some views are in support of reproduction of art, others have sharply criticised it. Nonetheless, with regard to poetry, reproduction of poetry holds many benefits, and these are in relation to reaching mass audiences, as well as maintaining the aura and originality of the original work.
Many writers have written different articles to express their views and arguments on reproduction of art. This paper bases on a major work of Davis Douglas, “The Work of Art in the Age of Digital Reproduction,” that was published in 1995. This is the primary source in this paper. The views of Davis are analysed, and by use of a secondary source; “Sona Books,” by Magi Jill, it will be possible to determine ways through which reproduction of poetry benefits the authors and audiences without distorting the original work. While Davis in his article supports reproduction of art, Mag focuses on the challenges of publishing poetry, and the overall low popularity of the literature genre.
Davis supports reproduction of art by basing on important aspects of art, which he proves that reproduction does not influence them in any adverse manner. For instance, Davis focuses on the aura of the work. He argues that reproduction does not betray the aura of the original work, but instead, it enhances it (381). Therefore, the same applies to poetry, as it is an art form. When poems are reproduced, slight changes might be made to the original work. However, this does destroy the quality of the original work. Instead the quality is enhanced, as sometimes reproduced works might be better than original works. It is also possible to argue that the aura of an art work does not lie in the art work, but is determined by the audience. Therefore, the aura and uniqueness of an art work is determined by the art world and its critiques of the art
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