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It is possible to explore these aspects when considering two films to be able to understand the role of the British film industry in the society.
One of the major concerns of researchers and officials is the commercial value of the British film industry. It has been estimated that the UK film industry contributes over £4bn to the British economy annually (Statistical year book 2014). This is achieved through international investment and production grossing. In the first place, it is necessary to note that many British filmmakers “have complained that there is no UK ‘industry’ as such” (Branston & Stafford 2006, p. 437). Clearly, Hollywood is seen as a well-established and even exemplary film industry as it has penetrated the world as well as the British market. Consumers all over the world prefer Hollywood products (James 2009). At the same time, it is clear that Britain has also become an attractive destination for various foreign (especially American) companies. For instance, the country attracted more than £1bn in 2010 (Branston & Stafford 2006). This interest shows a great potential of the country and its film industry.
To facilitate development of the UK film industry, the government implemented quite dramatic changes in the 2010s. For instance, the UK Film Council that functioned as a body supporting the development of the industry ceased to exist and the British Film Institute (FBI) is now performing its functions (Higson 2010). Thus, the government has launched a policy that is aimed at increasing funding of the industry.
These changes and increased attention to the industry are also associated with a desire to contribute to development and promotion of the British culture. This is also regarded as a way to protect the country from globalisation and preserve its rich cultural heritage (Higson 2010). Of course, it is difficult to trace the line between commerce and culture especially when it comes to cinematography. Some argue
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Films can belong to the genre of Western, comedy, horror, romantic, thriller and many more. Each genre of cinema has distinct narratives and themes. They are also known by their specific iconography and characters. Another important aspect that marks the identity of a film is its styling element like lighting, camera, sound etc.
Facing a microphone and knowing that the British Empire is listening must be frightening. At the time of the mentioned speech, approximately a quarter of the world’spopulation would be listening, particularly people from Germany. In 1939, Britain was engaging into war with the Germany and listeners of the speech required an individual with resolve, clarity, and firmness in his voice and not a stammer with punctuated and tortured silences (Ebert 2011, p320).
The paper discusses two videos, which puts into perspective the political environment that exists in the Britain. Renowned director Ken Loch directs the videos. They include Riff-Raff (1990) and Raining Stone (1993). The videos balance the use of fiction and non-fiction in order to achieve social realism.
The message may be true but it is conveyed in a more personal and biased way with an aim of changing people's way of understanding a situation. Realist aesthetic is involved in the dealing with the life of beauty, art, and taste and with the appreciation of magnificence.
According to Ed Buscombe, British film industry had always behaved in a restrictive way, when faced with the competition from the new medium of television. Also, then, BBC had an elitist view of the channel's responsibility and image and Head of Television Service, Norman Collins, had made it clear that BBC had no intention to turn into home cinema and show commercial movies, as it had much more serious responsibilities.
However, the development in British cinema has not been without its shares of ups and downs. There have been times when it has faced rapid development in technology, quality, quantity and screening of films while there have been times, when, despite on-going production, the screening of films have faced hindrances.
One such factor is the regional representation as exemplified by the sit-com, the The Full Monty or the British film Last Resort.
Considering its subject matter, The Full Monty comes across as an oddly innocent, sexless film. It's a comedy about male full-frontal exposure, or, as one character puts it, men prancing around Sheffield with their widgers hanging out.
Study of victimology is valuable and critical for effective planning of protocol as well as forming a good security team. Just as there are profiles of criminals, there are also profiles of potential victims. Knowledge of both creates a balance and an advantage for security managers and their teams.
Violence against the immigrant community is growing day by day and which is not good for the image of America as a country which respects freedom, liberty and individuality. As an immigrant, I can definitely say that my parents enjoyed a much better
d example is the emergence of cinema: in spite of the fact that the process of shooting and showing films was invented relatively recently, this form of art has been extremely popular. One might even point out that it was able to gather all the advantages of literature, music,
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