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Besides, post-war cultural changes affected the society as a whole and this is evident in the portrayal of male and female protagonists in general. Similarly, anxieties around gender identity resulted in the change in traditional gender roles, and it ended up in the formation of realistic role model for the working woman.
Within this scenario, it is evident that post-war cultural changes and anxieties around gender identity forced the directors to portray the images of gender in post-war Hollywood cinema with difference. Thesis statement: The close examination of the images of gender in post-war Hollywood cinema, considering the ways in which films of this period illustrate both post-war cultural changes and anxieties around gender identity proves that post –war cultural changes resulted in the ideal image of professional male and suburban housewife, change in traditional gender roles, the image of working-class masculinity, the desire for sexual passivity, portrayal of weak male sexuality, female dissatisfaction, anxiety over changing nature of masculinity, unacceptability towards war-time masculinity, and the portrayal of gender roles as social constructions, and anxieties around gender identity resulted in the change in traditional gender identity, portrayal of tensions between male and female members, changing female role (sexual freedom), conflict with disrupted gender roles, change in gender roles related to free education and loans for loans for homes and businesses, portrayal of the influence of consumerism over female gender role, the general urge to link femininity to domesticity, disrupting home life, and emergence of realistic role model for the working woman (special references to the post-WWII films related to post-war cultural changes and anxieties around gender identity).
One can see that the WWII resulted in the mass migration from urban areas to suburban areas within the different states in US. To be specific, this can be
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Hollywood movies form most of the programs in local television stations and international television stations. Hollywood movies contribute a lot to the economy of United States. Need for entertainment locally and internationally has contributed to development of film industry in Hollywood.
Puzo. It is a blockbuster crime story of an influential New York based family. The starring entails Michael Corleone (Al Pacino) and Vito Corleone (Brando). MPAA classification, the movie has scenes of violence, succinct nudity and vulgar language. It New York City provided the right environment for its filming as evident in locations in Hollywood, Sicily and Las Vegas.
While the deeply entrenched studio system of Hollywood collapsed and the onset of commercial television set in among the national suburbanized landscape nationally, new Hollywood set in.With the setting in of New Hollywood, classical Hollywood was phased out gradually. The classical Hollywood era was characterized by mass production of movies by cartel studios for guaranteed market virtually. The phenomenon of going to the movies was replaced by watching television in the era of the new Hollywood (Cook 1990; Buscombe 1977; Schiach 1995) .
Rarely, a film comes along that directly confronts and challenges the prevailing conventional wisdom of its time. Just such a film is Twelve Angry Men (Lumet, 1957). This film seeks to challenge apathy, racism and cultural ignorance in 1950’s America. It is nothing if not controversial, given the time in which it was made.
To more endorse film-making and to grow a new film-making culture in Hong Kong, the film city launched the School Sports Programme and the Community Sports Club Project in 2001. The aspire of the two programmes is to offer extra opportunities for members of the public to contribute in film-making (Abbas, Ackbar, 40's-60', 2003).
The conclusion from this study states that to listen to the score of a film is to appreciate fully exactly what the filmmakers were trying to point out to us. The acting and directing and the writing is the element that primarily we remember, however, subconsciously we remember more than we give ourselves credit for.
Two names come up when one searches for the “origin of Hollywood”. Havey Henderson Wilcox was from Kansas and was a rich real estate businessman. In 1886 he brought 160 acres of land in the country side to the west of the city at the foothills and the Cahuenga pass. It was he who paved the way for the development of this area.
a movement that used the medium of film and cinematography to condemn capitalism, neocolonialism and First Cinema – which, they claimed, was only a way of getting money by providing entertainment to the people.
Initiated in the late 60s, Third Cinema refuses the concept of
Competition with blockbusters that had been imported for the local market share has inspired some of the filmmakers in China to turn to Hollywood as a source of inspiration. This has led to an imitation of the big-budget and high
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