The paper "Contemporary art and theory" concerns several questions regarding contemporary art and theory. It discusses the various binaries of performance, including visual analyses of artworks together with key artists, theorists, and terminology in the response. Various binaries of performance art have posed a great challenge to traditional form of visual art such as sculpture and painting. However, performance art incorporates concepts and styles from other art such as work like arts and ritual. Vaudeville and cabaret inspired elements of Dada performance, which shows desire to embrace and appreciate popular art and mass cultural ways of dressing. Joseph Beuys adopted the term actions to describe performance art since it differentiated traditional types of entertainment found in theatres. Art and everyday life are related in the sense that via art people are able to express what issues affect them in their day-to-day activities. The avant-gardes such as surrealism and futurism influenced art in unique way in that via futurism; artists expressed their ideas via paintings. In the United Kingdom, artists like Gustav Metzger discovered an approach called auto destructive art where objects were violently damaged and destroyed during performances, which showed the danger of nuclear weapon destruction. Theory in art in 1950s and 1970s was used to show the true meaning of the events manifested in arts. Conceptual art is linked to American artists of 1950s and 1970s such as Lawrence Weiner.