The essay explores the grunge in fashion. Madonna, the most celebrated pop icon of the 1980s, who represents women’s unquenched desire to be free and articulating, has become controversial because of how she defied conventions both in her music and in her appearance…
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The essay "Fashion 1980 - Grunge Fashion" concerns the grunge in fashion. While the 1990s Grunge clothing has retained some elements from the previous decade, the influence of the “sophisticated, uptown aesthetics” becomes prominently pronounced, especially in designs of eminent designers such as Dries Van Noten. On the other hand, designers like Philip Lim have focused on blending the “nostalgic and modern” and combining the aesthetics of floral patterns with silk material and graphic T-shirts with printed skirts. Outfits like these epitomize the modern women’s zeal towards a carefree life that softens the recalcitrant zest of the females of the previous decade. Grunge fashion thus challenges the conventions and allows women to make their statement against the traditional male dominance. Style icons like Kate Moss have brought evolutionary changes in Grunge style by transforming it into a “modern wearable style”. Thus, what once has been considered as outrageous has become a norm in fashion, allowing women the freedom to express themselves through their dresses and apparels. Grunge, the “uniform of alternative rockers” and the young adults of the previous two decades returns with all its popular appeal in the 2010s and celebrated designers begin to “serve up grunge on the catwalk”. Many women, who cherish the nostalgia of this cult, view it as a “natural order of things” that the passion of their young age has come back with a firm statement to take their teenage daughters by storm.
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