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Attention can be lost as the viewer is straddled to-and-fro two episodes, those of Vito the Godfather and Michael the second Mafia don. Portraying the two main heroes across decades made the scope of the movie too stretched out. Various mafia characters were depicted with undue presumption that they are known to the ordinary viewer. Splitting the movie into two separate films could have been plausible. Instead, loose parallelism made the movie porous and disconcerting. Full camera shots for a documentary-like effect in recreating Sicilian, Nevada and Havana locales fit an epic format. There was, however, not sufficient angling and close-ups for audience affinity with the main characters. Total effect was that of a vintage film shot on a one-camera
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However, when we take a deeper look at the novel we realise that there is more to The Godfather than its author suggests. To start with, the reasons for its enduring popularity are not easy to pin down especially when one tries to evaluate whether it was the literary merit of the novel or the mass-appeal of the film (Barra 3).
Accompanied by vivid graphics, the films industry first took these discourses to the theaters and later to living rooms. In the contemporary world the discourses are with us on our palms everywhere we go in form of mobile forms and iPods. However, one of the most interesting discourses that films as forms of art should engage in is the apparent dichotomy in films (Wartenberg 38).
Quite often film makers emphasize much on video footage at the expense of sound quality. Interestingly enough, poor audio quality does annoy the viewers more than poor cinematography. Filmmakers often respond to improving sound quality whenever a person posses a question of what the film maker would do different in his upcoming film.
Marlon Brando, Al Pacino, Diane Keaton are just a few of the headliners in the film. The impact the film had on American cinema has been noted by many critics and it received academy awards for best picture, best acting, and best screenplay. The Film Registry has selected
aragraph as part of the introduction to create the context for Part II; (2) to describe how the target population is defined at the national level and compare how these data may differ in the defined community, relating to the nationally identified objective specific to the
Vito's line "I'm gonna make him an offer he can't refuse" made it one of the most popular movie lines in American Cinema. There is no doubt that movie 'The Godfather' impacted American psyche tremendously after its release and masses even today find a solid association somewhere in their life with the character such as Vito – The Godfather.
Within the sample, 46% were of machine type 3 which had the lowest rating of 155 parts per minute. 24% of the sample was of type 1 which had the highest rating of 700ppm. However, 30% of the sample was of machine type 2 which had
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