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The success of the movie can also be attributed to the animation, mainly done by the supervising animator Eric Goldberg. From an interview with Goldberg, he states that the animation for “Aladdin” mainly dealt with finding the perfect animation for every character, for example, walking styles, patterns of speech and movements (Kallay, 2012). The designs of the “Aladdin” animation are based on the works of caricaturist Al Hirschfield, and computers were both helpful in creating and coloring some pictures (Hischak, 2011). However, Goldberg states that the hardest part to animate was the genie, since the genie changed form in nearly every scene. The supervising animator states that sometimes, the genie was required to be an air hostess, imitate Schwarzenegger and act as a host of other characters. The animation done by Goldberg and his team proved crucial in ensuring the continued success of Aladdin in the box office and from DVD
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The greatest asset of an animated sitcom is that the audiences unexceptionally tend to associate them with funny and ludicrous aspects of creativity and entertainment. The animated characters have traditionally been perceived as being child’s play and realistically speaking at the back of one’s mind, the audience does tend to digest even the most atrocious or disturbing of social comments being projected by the animated characters, because it gets neutralized in the audience perception, as being resorted to more out of an intention to create fun, rather than being something serious and somber.
These two scenes can also be analysed in terms of sound, colour, style and narrative, and mise-en-scene. Candyman is Bernard Rose’s creation. Based on the opening scene it may be interpreted as a film about the city. The opening scene shows an aerial image of traffic on public roads and skyscrapers.
It should be noted that the examination of different leadership and followership styles will be done in the context of the movie Lion King. As a matter of fact, Lion King (Movie 1) is an animated movie that was released by Walt Disney in the year of 1994.
However, after the advent of the media, what is shaping people’s identities, behavior, habits, image and lifestyle, is the media (Kellner 1995, p.1). Hence, it is said that the culture that is influencing and
The animated characters have traditionally been perceived as being child’s play and realistically speaking at the back of one’s mind, the audience does tend to digest even the most atrocious or disturbing of social comments being
of our skin, but the truth is that racial discrimination, profiling and characterization have so radically altered the chances of success of the black community that they find themselves calling out for justice and equal opportunity at every juncture.
From the following
When the story is beginning, there are funny illustrations of rhymes in the background, which is portrayed through paperdoll characters with actual faces of kids photographed in a paper – this is founded on imaginative
It is true that even today whenever anyone thinks of Dracula, they think of Bela Lugosi, who played Count Dracula in 1931, with his distinctive accent, inflection and hypnotic stare that had made him “The best Dracula ever” according to the Los
He wondered and became suspicious why out of all the riches the stranger only asked for a pot. The stranger demanded the lamp but refused to help Aladdin out of the hole. As he slammed the manhole’s cover, a ring slid from his finger and Aladdin picked it. Putting
Smelik (1998, p.8) asserts that a liberative cinema is one that has been filmed to reflect the real image of a woman. In terms of visualization, Orlando unfolds by “showing the gendered body and transforming Orlando into having
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