Download file to see previous pages...
The song itself is great for my musical repertoire as it functions within my baritenor range and its expressive qualities are greatly linked to my internal emotional makeup. The song combines somber recognition of the environment with melodramatic and bombastic theatricality.
The next song examined is ‘What is it About Her?’ from the musical Wild Party (2000). Andrew Lippa composed this song and musical. Lippa is an American composer and producer who was originally born in Leeds, England. He graduated from the University of Michigan and later moved to New York. In addition to the Wild Party, his writing credits include contributions to You’re a Good Man, Charlie Brown (2000), as well as The Addams Family (2010). Similar to the previous track, ‘What is it About Her?’ functions within my vocal range and matches my artistic impulses. The song is accompanied by minimalist musicality that is punctured by emotional vocals. In these regards, the vocalist assumes the center of attention to a much greater degree than in traditional Broadway compositions, and greatly highlights the lead male.
The third song examined is ‘What Do I Need with Love?’. This song was from the musical film Thoroughly Modern Millie (2002) and was composed by Michael Rafter. In addition to this song, Rafter worked on 2005’s Sweet Charity, and 2010’s Everyday Rapture. In addition to functioning within my vocal range, this track explores emotional qualities that juxtapose it with the somber realism of the previous tracks. Instead this song has a degree of melody, as well as a self-reflexive irony. In these regards, it makes a great addition to the repertoire as it demonstrates considerable emotional range and lightheartedness. Still, the heavy reliance on the vocals greatly highlights the male lead.
The final song examined is ‘It Only Takes a Moment’ from Hello Dolly (1964). This song was composed by American Broadway writer Jerry
...Download file to see next pagesRead More
Lynn Nottage has written a play that explores the nature of being ‘ruined’ as female casualties of war express the consequences that come from being physically vulnerable to soldiers, men whose minds are on violence and who see the enemy through the control that they can have over everyone in their path.
The live performance that I watched was based on Agatha Christie’s play ‘The Mousetrap’, originally known as ‘The Three Blind Mice’. Glen G. Gilbert directed this play and some of the performers of the play included Heather Dupree, Devin Robertson, Matt Patton, Candyce Hinkle, Eric Harrison and many others.
Musical theatre has a long history comprising traditional forms and traditional structures. The art of writing musical is always stretching and involving new art forms. It is possible to say that musical theatre is researching the unexplored spaces.
Through quality theatre productions, Studio 275 will primarily established the plot as something that is historical and controversial - women talking about men and religion – women of the working class
George Frideric Handel, the famous musician of the 17th and 18th century, provided a much succinct understanding about musical ideas through his theories, which strongly reflects through his one of the astounding creations,
Furthermore, it has a specific musical ambiance that arises from the distinct rhythm and rhymes in the specific syllables in the sentence.
Extracted from UB40’s Sins of the father, the four lines above portray distinct musical features
Their meteoric rise from the streets to the top was aided by their street savvy nature and heart, talent and a sound that was unique to the group alone. Their early years were characterized by mafia connections and poverty.
The Jersey Boys regarded themselves as
The play reveals the actual struggle of the four boys, depicting their meteoric rise to fame and success, which was fueled by their amazing talent, a street savvy sense of taste and appeal and a sound that not only happened to be ingeniously
Apart from the variety of musical ideas incorporated in this musical piece, the composer also makes appropriate usage of timbre, tempo, and dynamic in order to achieve these numerous musical ideas in the song.
1 Pages(250 words)Assignment
GOT A TRICKY QUESTION? RECEIVE AN ANSWER FROM STUDENTS LIKE YOU!
Let us find you another Assignment on topic Musical Theatre Repertoire for FREE!