In the essay “Contemporary Canadian Art” the author analyzes contemporary artists working since the early part of the 1900s. They have dedicated themselves to depicting the range of human emotions within the colors and lines of their work. …
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This “something that can be conceived but not seen nor made visible” is often referred to as the sublime, a quality of transcendent greatness “with which nothing else can be compared and which is beyond all possibility of calculation, measurement or imitation” (Wikipedia, 2006). The presence of this sublime element was felt to inspire the imagination in a specific direction based on which elements remain visible or understandable. Its significance is in the way in which it brings attention to the uncertainty of meaning inherent in the work, such that no resolution makes itself apparent. The ultimate goal for artists of this period was to forget the training they received in art school in order to recapture the sense of wonder and imagination reflected in art produced by children or ‘primitives’, those who had received no art training. It was by forgetting the rules that the intuitive or sublime elements of art were able to shine through. Artists such as Canadian-born Joyce Weiland were able to circumvent the rules of established art by exploring their creativity in more than one medium, but not all artists found it necessary to forget what they’d learned. For a Canadian artist such as Norval Morrisseau, the self-taught nature of his art enabled him to create images that translated to the canvas directly from his heart. Yet each of these artists managed to convey a deep sense of spirituality and connection to the land of their birth as a comparison of Weiland’s painting “Experiment with Life” (1983) with Morrisseau’s “Shaman with Sacred Corn” demonstrates.
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This essay discusses theory and contemporary art. Simply put, contemporary art is an ongoing development of artistic work building on the foundation of what has been created already. It is against this background that this essay will critically examine the contribution of legendary artists in the 1960s to 1970s in shaping what can be said to be art.
This paper explores modern art. Archeological discoveries, paintings, and costumes ornate the spaces, taking the visitor back in time and to the future. Not since the 1960s has human sciences turned to language as a model to understand culture in all its forms. One such characteristic of contemporary art history has been the use of historical texts.
Among the most important have been the opening f Tomb 3 near Anak, the excavation f numerous other tombs f the first millennium A.D., and the finds f Buddhist art in the stone stupas and near the monasteries. This extensive archaeological research by Korean scholars has done much to clarify the development f Korean art.
There are many reasons why people might choose to take photographs today, including self-fulfillment to capture memories or explore artistic inclinations or for commercial purposes of various types. In general, there is a very positive attitude among those who opt to express themselves through the media of the personal camera.
The essay explores the difference of Contemporary Art and Crafts Movement. “A craft is usually a cookie-cutter or close-ended activity. The craft activity is based on a formula or recipe and all participants follow the same directions and end up with roughly the same result every time.” This is contrasted with her definition of art.
This essay discovers the contemporary art. In 1917, Marcel Duchamp said, “Art history has consistently decided upon the virtues of a work of art through considerations completely divorced from the rationalized explanations of the artist”. This view differed from the views of the past in which the intentions of the artist.
This paper analyzes the contemporary art. A classic illustration of this phenomenon in recent history is the Iranian theocracy's issue of 'fatwa' (essentially a death sentence) against Litterateur Salman Rushdie, whose novel The Satanic Verses was accused of disparaging the Islamic faith. Yhe controversial novel should not be dismissed.
This study discovers the Peter Smith and Keith Schmidt in the context of contemporary art. It's clear that Peter Smith has a background in the art world, as well as a vested interest in the success of the MCA. Likewise, Peter Smith is indicated to have a history of success in the contemporary art world. It's noted that he has been successful.
This essay discovers the Korean and Japanese Contemporary Art. According to Abbert, noted that Japanese and Korean’s rich artistic heritage was founded on a remarkable blend of the native traditions, foreign influence especially by China, sophisticated technical skills, and exuberant human spirit. The two nations have quite similar orientations.
11 Pages(2750 words)Coursework
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