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Film reaserch - Research Paper Example

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Name Institution Course Instructor Date Film Studies and analysis: Hotel Rwanda Hotel Rwanda is 2004 American directed Rwandan film that depicted the life of a hotelier in Rwanda who saved many Hutus from genocide. The hotelier attempts to save his family along with his fellow citizens in a hotel…
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The film portrays intense corruption, mass killings, and the results of civil war within the country. Ideally, the Rwandan genocide drew influence from the fact that the majority Hutus wanted to do away with the minority tribe of the Tutsis. During the 1994, genocide at least a million Tutsis lost of their innocent lives due to the hatred developed by a fraction of the Hutu tribe (Anonymous 52). In this regard, history refers to the socio-cultural relations that exist within the society that may include race, ethnicity, gender, and nationality.

It involves the firsthand account of philosophical issues such as power and perceived justice. Objectively, this paper will dwell on the historical factor of the film Hotel Rwanda. The bunch killing of the Tutsis started when Tutsi militiamen struck a plane carrying a Hutu tribe president. It became of a revenge-targeted mission, where the Hutus felt that they no longer needed the Tutsi presence in their country. The Hutus referred to the Tutsis as cockroaches where their presence became prejudicial and insignificant.

Impunity became the driving force behind the genocide in which Paul tried to save at least one thousand three hundred of the so-called cockroaches (Olsen 66). According to the film, Paul sort to ensure the safety of his wife mainly because it was against the Hutu decree for a Hutu to marry a Tutsi woman. This meant that his wife’s life was at risk. The anthropological factor is that ethnicity contributed to the fall of the central African in its ability to unite the ethnic social culture and use it a complementary aspect of the nation.

Ideally, the Tutsis were a dishonest lot who could not have any duty bestowed upon them. Clearly, the minority tribe did not have a place in the Rwandan society as the militiamen implied (Anonymous 52). However, Paul went contrary to the primitive commandments as he was a Hutu who housed a sizeable number of the Tutsi tribe. This portrayed his remarkable ability to show that not all the Hutus supported the atrocious genocide (Pearson, Keir, and Terry 120). The dead bodies characterized the town of Kigali that was once peaceful and serene.

In essence, the dead bodies depicted the negativity of ethnicity, which made compatriots turn against fellow states men. Essentially, it is the right of human beings to live without having to buy their life at any price. Subsequently, the Hutu soldiers had put a senseless value on the lives of fellow human beings that made them a disgrace to the human race (Adams 77). On the contrary, tolerance and acceptance of the different ethnic origins would have down played the onset of the civil war that erupted in Rwanda at the time.

Moreover, the genocide of Rwanda as portrayed in the film marked the darkest time in African and mostly in world history. This was because it went down as an era in which humanity experienced the wiping out of many lives at the same time (Rusesabagina, Paul, and Tom 78). Overly, the movie depicted racism within the same nation. The hundred dark days to which the film revolves around formulated, the base to which same skin racism drew roots. In essence, the Hutus killed the Tutsis whom they had cohabitated with for as long as history could recount (Pearson, Keir, and Terry 120).

Conversely, the UN also only attempted to evacuate other nationals to safety rather than saving the whole lot. As per the

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