Christina's World is a realist tempera portrait by iconic American artist Andrew Wyeth. In this picture, we can see great styles of art employed by the artist that helps us distinguish the foreground, middle ground and background…
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The grass in the foreground also suggests that the picture was drawn regarding to the dry spell or the harvest season in Chadds. Christina seems mesmerized by her rural setting, a suggestion of breeze stroking her loose features of hair as she stares in the direction of her home, totally fascinated. Besides, we can note the distinguished passive color palette in the foreground that helps us to differentiate the harvested grass and that which is yet to be harvested. Moreover, the different color used helps distinguish the clothes that Christina is wearing from the where she is crawling. The light sandwiched between the household and the barn is the brightest theme of the painting and Christina is leading her head upwards in the direction of it. In the middle ground of the Christina world painting, we can note several different features from the foreground. The foreground contains a huge part occupied by dry grass fields. In addition, we can see a huge part of this grass field has been harvested exposing the Christians family home. There is also a path created by a car that is used to access Christians home. At the rear end of the middle ground, there is a fence that surrounds Christians home. In the background of the painting Christina’s World, we can see the the family home where she lives. The painting suggests that she might be living with her family since it shows a huge two storey family home with other structures surrounding it. Among the structures are two large separate houses and a small single structure built in the unharvested grass field. We can also see a huge section of Christian’s family home has a compound with harvested grass. From the picture, we can suggest that the economic activity in the Christian’s World was farming. Content, Style, Axis, Symmetry, and Asymmetry In Christina's World, Wyeth used subdued colors to convey the tranquility of being restricted to a country setting. Andrew Wyeth’s works merged into his established and continuing style characterized by a passive color palette, convincing representations, and the illustration of emotionally charged, symbolic objects or people. Christina's World is based on a real life situation, which he encountered in Chadds, Ford area. This picture is a depiction of a victim of polio disease who tried to crawl up a hill. Christina looks as if fascinated by her rural background, a suggestion of just cuddling her movable filaments of hair as this woman stares en route to her home, entirely captivated. The perkiest part of the sky looks as if to gesture Christina like a blissful white light. A sole figure in the vast countryside, Christina is fairly susceptible to the harsh set up, but embraces it nevertheless to relish the attractiveness of the scene and her freedom. Andrew Wyeth’s, main passion of painting lay on the land and people around him. His works paintings were mainly based in his home town of Chadds Ford, Pennsylvania, and at his seasonal family home in Cushing, Maine. His most popular painting was Christina's World, a 20th century art, currently preserved in the Museum of Modern Art in New York City. This painting portrays his neighbor, Christina Olson, rambling on a dry ground fronting her house. The countryside is in her world is generally dry and unproductive but has a suppleness to it which is bizarrely appealing. An else intimidating scene emits a sense of safety to the onlooker. The addition of a "crippled" young girl alters the background to to some degree obliging and approachable. This meant that Christina Olson had to
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“Foreground, Middle Ground and Background. Winslow Homer Compared to Essay”, n.d. https://studentshare.org/visual-arts-film-studies/1459352-winslow-homer-compared-to-andrew-wyeth.
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