Major Role Analysis - Essay Example

Right at that point, fate unfolds itself drastically in a manner that calls for Robbins to characterize the act of managing to control oneself from the verge of losing sanity. At this stage, there emerges requirement to convey the theme of injustice as Robbins acts to satisfy the expectation toward mixed feelings of contempt, helplessness, fits of rage, and frustration. Apparently, “The Shawshank Redemption” film exhibits two dimensions of reality between which is caught a poignant moment of transition for Dufresne and Robbins faces the challenge to express how it is like to be held responsible for a grave crime committed by someone else.

The actor comes across the demand of realizing a character that must eventually decide on life’s worth, whether for Dufresne to defend his innocence or let nature take its course and dissolve all hopes on prison walls. To Robbins, Dufresne’s acknowledgment of the turning point in life must be excruciating just to imagine the fact that the man who has humbly lived a life of success and prominence is now in Shawshank State Penitentiary where incarcerated individuals are bound to perceive every form of dread to psychological and emotional states of well-being.

Robbins must have subjected himself to thorough contemplation of the major role to be able to align Dufresne’s words with actions that reflect extreme despair and total lack of self-esteem behind the anguished calm of the face. His portrayal of wretchedness in the case of a modest banker turned prisoner in service of an undeserved sentence appears complex because the film’s thematic approach is supposed to lead the viewers to an empathic sentiment, believing in the blamelessness of the convicted.

In the process, Robbins moderates his acting to demonstrate the protagonist’s capacity to relate with fellow inmates, trusting especially Ellis Boyd “Red” Redding as portrayed by Morgan Freeman. To this extent, Dufresne’s consequences may be anticipated to engage the audience into the gradual resolution of the conflict when the man is seen acquiring the potential to adapt to his rather harsh environment. Since “The Shawshank Redemption” falls within the crime and gangster genre, the audience may reasonably expect of a progress in which the principal character is directed to develop sharp malevolent traits and the following events could have shown physically violent encounters where the subject in the mode of revenge schemes to triumph by physical means.

Nevertheless, Robbins is demanded of a function that embodies maintenance of principles and he needs to convince the audience of a consistent illustration of Dufresne who occurs to be meek and defenseless to officers and inmates alike, from the point of entry to the prison until after nearly two decades. For this aim to concretize, instead of visible execution of thoughts, the implicit heart of the matter must be sensed and this serves as a challenge for Robbins to maximize the use of facial gestures through the look in his eyes and movement of head or lips with less external effort to deliver a fragile type of character whose weakness can be predicted with ease.

Upon completion of watching the film, viewers are normally inclined to assess judgment on the story and how the primary figures have altogether made it run