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https://studentshare.org/sociology/1630640-art.
The author argues that perceptibility, specificity, and singularity are three fundamental techniques in dealing with non-verbal arts. As regards the time of contemplation, the author argues that the notion of measuring stops before each object enables an individual to have a quick idea of and to assess various interests and curiosities in the field of museology as well as experimental psychology. The author’s opinion is that the nature of art makes it complicated enough for describers, philosophers, and theoreticians, to have harmonious arguments or thoughts. The possibility of art to be judged artistic lies in its internal intensity.
The article utilizes tableaus to demonstrate the effect on museum visitors’ receptions. This creates a practical scenario, which ensures an easy understanding of the discussion. In measuring visitor flow in a museum, the author argues that the most essential consideration is tableaus’ differentiated stopping power given as spectacle. The analysis entirely relies on the idea of a museum and not visitors’ opinions on the pleasure derived from a particular painting. Further, the article argues that the sociology of museum visits ignores cultural variations assuming linear treatment. The time taken by visitors to view paintings is the most effective indicator of psychological as well as the symbolic cost to the visitors.
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