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The Swing Movement of the 30's - Case Study Example

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The case study entitled "The Swing Movement of the 30's" points out that Young people today think about swing music, if they think about it at all, as the music of their grandparents. What one hears on the Grammies today hardly seems to resemble the sounds…
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The Swing Movement of the 30s
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Download file to see previous pages Swing music, an extension of earlier blues and jazz movements, arrived on the scene in the early 1930s and by the mid-thirties had become all the rage. Strong rhythm sections of double bass and drums coupled with trumpets, trombones, saxophones, clarinets, and an occasional stringed instrument, emitted medium to fast tempos and swing rhythms enjoyably danceable. Soloists or band singers made the music not only danceable but pleasant to listen to as well.

The evolution of swing can be traced from styles of jazz in the very early part of the century, particularly from New Orleans, through the nineteen twenties arranged with simple two-beat rhythms, at times including more complex improvisation popularized by early black musicians. There is little doubt that the genesis of swing was the black music of an earlier era. "This brings to mind the fact that prominent white orchestra leaders, concert singers, and others are [were] making commercial use of Negro music in its various phases. That way they introduced "swing" which is not a musical form" (Handy 292). This criticism is disputed by many in the musical world.

The swing band movement of the thirties can be directly traced to the latter part of the twenties, as larger orchestras using written arrangements began to emerge with their happy, freewheeling big band sound—a stylistic shift incorporating four beats combined with a smooth syncopated melodic feel. By the mid-nineteen thirties, the sounds of the big bands and the era itself were in full swing. The popular style of bandleaders such as Benny Goodman and Count Basie became the driving force of American popular music.
With the onset of bands like Goodman’s, there arrived a further evolution to accommodate the musical style. Many earlier bands, adapting their compositional style to accommodate the new sounds, were including melodic arrangements. Some, given to earlier improvisational styles ala blues and original earlier jazz patterns, included less improv in their arrangement to please a dancing, listening public.  ...Download file to see next pagesRead More
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