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Concert of Edouard Beyens Critique - Essay Example

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The essay "Concert of Edouard Beyens Critique" focuses on the critical analysis of the major issues in the concert of Edouard Beyens. On April 25th, 2015, Edouard Beyens and the Senior Undergraduate Percussion Recital held a percussion concert at Organ Hall at Arizona State University…
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Concert of Edouard Beyens Critique
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Several artists performed various classics including Castle Valse Classique, Burritt variations, Prelude and Fugue in Bb Major, Rounders, and the Jolly Caballero among many others. The percussion ensembles on stage on the night consisted of a variety of musical instruments including a tambourine, cymbals, triangle, bass drums, and xylophone. The construction of the stage was systematic and fitted with adequate microphones to help enhance the audibility of the surround system in the halls. The xylophone was a major instrument that enhanced the presentation of the classic percussion theme as various artists took their turns at the magical instrument and produced a variety of unique and creative creations.

The first piece performed at the concert was the legendary Castle Valse Classique, which took us on an adventurous journey through different emotions and sounds and so did several other pieces performed in the night event. The performers portrayed their musical genius as they began the piece as a classic before they transformed into jazz-like beats and ended the performance at a high tempo with a beat that resembled beats in hip-hop. This raised the spirit of the fans thereby setting the stage for other equally talented performers. The performance compared and contrasted with the things we have done in Drum Circle. Key among the similarities was the rotational performance as the various artists played their respective instruments systematically yet alternately at particular durations thereby producing different sounds appropriately.

In performing The Joy Caballero, four performers took to the stage with their various musical instruments, which included the xylophone and marimbas among many others. They played the instruments methodically thus producing holistic musical pieces which enjoyed cohesion despite the various instruments. The performance maintained a classic tempo as the performers engaged the audience in a rich cultural diversity of percussion ensembles. The night wore on systematically with the performers playing their short pieces. Despite the short length of the pieces, the pace remained engaging throughout the evening often changing methodically from the gentle rolls of mallets pounding on marimbas to giant toms among other assorted drums.

In retrospect, I enjoyed the concert that did not only offer me immense entertainment but also provided a perfect opportunity to learn as I compared the performances to those we have done in a drum circle. The performances stretched my definition of music as they used their art to entertain, communicate and educate. They did this through immense coordination as they performed thus succeeding in the creation of artistic masterpieces that engaged and entertained us through the night.

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