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ti were the undoubted 18th century music celebrities, with many people associating with their entertaining virtuoso voices that illustrated the musical culture at the time. A critical analysis of the Castro BBC documentary reveals that the documentary investigates the musical aspects of the castrati including private and public details. The castrato involved the use of unbroken soprano voices. It is widely argued that the 18th century performance was done by men castrated during childhood to keep their voices unbroken. Mutilating young boys to achieve this purpose raises numerous ethical issues.
The historical context of the castrati reveals the dark aspects of the Baroque opera. From the documentary narrative, it becomes clear that opera had shifted from the use of straight drama to artistic performances using male soprano voices. The male soprano voices could be described as artificial in the sense that they were achieved by castrating boys before they reached maturity. The vocals used in the documentary suggests that the voices are not natural, neither male nor female voices. On the other hand, the documentary illustrates the practice of using male voices for musical voices, especially for sacred music in which women were forbidden.
The singers combined unique tempo and musical dynamics with variations in melody and combination of ornamentals to produce entertaining classics. The music was intense and elaborate melodic lines were often used. The use of liturgical musical styles features prominently in the documentary, illustrating the entertaining aspects of the European musical culture. There are also small ensembles of solo performances combined with orchestra tunes. This helps create a unique volume and texture, a feature that characterized European classical music.
The documentary depicts the physical perspective and the medical aspects of the operation. The narrator suggests that barber surgeons performed clandestine operations and at times medical
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By making this decision, the band has generated an impulse of doom that echoes in the whole industry of classical music in America. The long cultivated controversy was silenced as the Philadelphia Orchestra staged a show on the Tuesday night in Carnegie Hall with Charles Dutoit, being the chief conductor.
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The purpose of my research is to find out the factors that have an influence upon the association of the young Chinese generation with the old and classical Chinese music. It is an established fact that in order for a nation to excel, it is imperative that the
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The report will also present certain invaluable facets related to a renowned composer Benjamin Britten, whose unique compositions were played by the performers.
New York Philharmonic Orchestra in the live concert played a bunch of
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