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“Music is what feelings sound like,” this quotation from an unknown author says it all. Just as Gustav Mahler once said, “If a composer could say what he had to say in words he would not bother trying to say it in music.” One of the most distinguished composers of the 19th century is Frédéric Chopin. Chopin was a Polish composer and virtuoso pianist, and is considered by many as the epitome of the Romantic style in classical music. Regarded as a child prodigy pianist, I look up to him, as my model and inspiration, since I too, play the piano. Chopin’s works are masterpieces and mainstays of the Romanticism in the 19th century. One of the major innovations in forms of music that he was responsible for is the nocturne.
The nocturne is basically a work of art dealing with evening or night, usually a dreamy pensive piano composition. Having written 21 of these, Chopin’s nocturnes are written in a somewhat melancholy style, with an expressive dreamy melody, over broken-chord accompaniment. The major of Chopin’s nocturnes adopt a simple A-B-A form, wherein the A part is usually in a dreamy style, and the B style is a part of a more dramatic content. Considering the melody, harmony, and originality of piano style, Chopin’s nocturnes leave other composers behind, although his style is very much similar with Bellini’s cavatina.
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