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Although he got tuition from numerous famous teachers, Chopin was fundamentally a self-taught pianist whose heretical and highly individual technique contributed to the manner in which he composed. Because of his unique talent, Frederic Chopin is recognized as a great improviser and one of the main figures in nineteenth-century classical music and the Romantic period even if he transcribed his extempore inventions-often with some difficulty (Chen 2). In addition to a pianist, his talents were beyond emulation and had an effect on other musicians exclusively as compared to the number of his performance, for instance, he performed only 30 public performances in his 30 years as a performing artist. As a result, no artist has come before, and after him has had several important works of the piano’s repertoire, or captured its soul. Therefore, in order to understand the logic behind his life, one should learn Frederic Chopin's contribution to music as compared to other artists of his time. Chopin's musical production was entirely dedicated to his preferred instrument, the piano; therefore, at his dearth at the age of 39, Chopin’s influence on music and his effect on later authors were massive. For example, pianists currently play their music under the influence of Chopin as a great pianist, hence, a pianist without Chopin’s music is not nor recognized as a pianist, and is absurd. This is compared to English literature without Shakespeare or the Italian renaissance without Michelangelo. Thus, if Chopin had not live, there would be no Rachmaninoff, Scriabin, or even Debussy; moreover, Brahms' piano music would not be what it is currently (Gagné 76). ? 76). There are several motives that make pianists love Chopin's music, which include Chopin’s music satisfies and rewards, also the payoffs are big; in addition to that, studying it as well as breaking it down has its own recompenses as well. Moreover, Chopin’s music pleases a wide range of listeners because it is easily available and beautiful at all levels. Several pianists like Liszt’s works though advanced cannot compare their work with that of Chopin because he was the poet of piano and no artist has ever existed like him because their work lack the beauty of Chopin. Another benefit definite to Chopin’s own music is that Eigeldinger has been capable of using Chopin’s handwritten notations to verify that the tempo signs on the engraver’s manuscripts of his two books of Etudes were undeniably in his own hand. This matter of massive significance to pianists, and one had been under some discussions (Bellman 622). Generally, Chopin produced various diverse types of piano pieces, which were often used by other composers despite the fact that he created his own form of music that were original and of high standard. some artist have tried to copy Chopin’s work, for example, Beethoven’s greatest work lies on the manner in which rewrote the piano sonata in which he did only the sonata for solo piano. On the other hand, Schubert wrote something close to Chopin because he typically stuck to sonatas but also had impromptus and moments musicals, shorter and freer works whereby he at times took a musical form that already existed and reworked
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