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Music Market and Cultural and Social Globalisation: Hybridisation in Folk/Ethno music, especially in Developing Countries - Essay Example

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This paper describes the globalization as the modern trend in music industry. It has its own story, as the music is always changing due to environment and has a huge social component in nature. …
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Music Market and Cultural and Social Globalisation: Hybridisation in Folk/Ethno music, especially in Developing Countries
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"Music Market and Cultural and Social Globalisation: Hybridisation in Folk/Ethno music, especially in Developing Countries"

Download file to see previous pages The world economy in general and the national economies in particular, in twenty first century, are more or less dominated by post-industrial knowledge-based exchanges. Primary production or manufacturing is becoming decreasingly important sectors of the postmodern economy. The importance of cultural and creative industries, especially of music industry, is not merely limited to its economic capabilities (which is, of course, relatively strong); but also to the prominent role it has on the making and unmaking of peoples’ identities, attitudes, values and lifestyles. The dynamics and complexities of the relationships between culture, creative industries and the political and economic development of societies have gained the attention of theorists and researchers from the mid-twentieth century itself. The post World War II world saw the mainstreaming of studies on cultural and creative industries as it was an absolute necessity to explore and grasp the changing nature of politics and economics in both the developed and developing countries.
The end of the cold war marked the beginning of a 'cultural turn' in the globalized world. The worldwide dissemination of the values and attitudes of the West in general and the United States of America in particular has been the focus of attention for not only academicians but also for ordinary people from across the world. There have been intense debates over the impact of globalization and the consequent transformations in the realm of culture from a number of conflicting standpoints. The idea of cultural imperialism has been particularly influential in the understanding of the profound transformations that are taking place in the sphere of culture. Regardless of the difference among these contesting perspectives on the characterization of this cultural turn, there exists a consensus on the incredible role of global music industry as carrier of the unprecedented changes pertinent to culture at both global and local levels. However, culture should no longer be perceived as a locally bounded 'whole way of life' as the components of culture themselves have profoundly changed. It has been suggested that culture should not be viewed as introverted, tied to place and inward looking as it used to be in history. Rather, culture is seen as an outward-looking 'translocal learning process'. The advances in technology and the developments in information technologies, digital media, e-commerce and new communication channels have profoundly changed the character of music industries in twenty first century. Music industries have a major share in the international trade and a deep impact over cultural lives of peoples of different countries. The international flow of music goods and services are higher than ever.
II. Music Market World Wide and the Globalisation Debates
The intangibility is one of the important factor in defining a music product or commodity. Certainly, the content of music commodities is immeasurable and 'cultural' in nature. Here, cultural means that the use value of a music commodity is satisfying some of the mental, psychological needs of a user in one way or another from a culturally determined standpoint. Speaking from the opposite, a music commodity has no 'physical' value apart from its ability to gratify given cultural tastes of a consumer. In broad terms, music industries are characterised by the production, creation, transmission, dissemination, registration, protection, participation and mass consumption of cultural and creative types of intangible and immeasurable contents, which are available in the market as exchangeable commodities or services. Globalisation represents not only the competitive distribution but also the co-operative sharing of music goods.
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