This research aims to evaluate and describe the video of the piano concert. The researcher of this essay aims to pay special attention to pianist Yundi Li. According to the researcher Yundi Li is actually a very mature and talented artist…
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The paper tells that Yundi has a very fantastic interpretation and recreation of the Scherzi. This may be the first time that the ‘chopin humour’ is heard in any of these pieces. Yundi is also keen on giving the much needed emphasis to the left-hand, where one only wonders, isn’t it just amazing that someone can actually play in this way? Then in comes the Liszt Sonata. The Liszt Sonata is among the best recordings ever. Yundi gives it justice with his amazing skill and passion. It is now evident that Yundi is not just any other virtuoso. Yundi is impressed by the amazing and shattering way especially on the emotional part of the piece, at that point where Liszt struggled with his other side character. Yundi’s mastery of every subtle nuance for each lyrical part of these pieces in music is just amazing as it is not often heard from other artists. There are also smooth transitions from one theme to the other, and the audience is seen to be obviously moved and is in sync with the performance, where you get yourself asking, is there going be Liszt’B Minor Sonata better than this? Yundi is seen to be one of very deep feeling as he plays, as it is not always, that’s one will find a pianist gets immersed very deeply in the music during their performance. We can say that music flows out of his fingers and in a very natural way which results in such a very deep feeling. As a gifted young artist, Yundi Li, uniquely distinguished from most his contemporaries by his ability to put a personal stamp on each work, and putting eccentricity to very fine detail. He is an inspirational artist that is keen on delivering performances of equal and standard quality, outlining different circumstances. Skill is portrayed in the first Scherzo as he plays with controlled wild abandon that matches its temperament. There are very slim chances of none of hearing another performance which so clearly risks everything for the inspiration of a moment. The same can be seen from the three Scherzi that follow. He plays with the equal heroism of the second and is balanced more by the brooding character seen in the third, and the fourth which is slightly lighter. The Liszt Sonata which is mighty and greatly difficult to control is brought to its knees as Yundi plays it with such amazing virtuosity, which he combines with such breathtaking sensitivity. The Liszt seems to break under its great length and its varying mood swings, which later starts to grow in its stature as it goes on. It is not surprising that by now the audience grows ecstatic as it responds to the now built unforgettable event. One
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120, Reger – Clarinet Sonata in A – flat Major, op. 49, no. 1 and Schoenfield- Four Souvenirs. The periods represented by the above pieces and their composers were a mixture of Classical and Contemporary music. The piece I chose to write on is about ‘Four Souvenirs by composer Paul Schoenfield.
From the keys played on the piano, I could tell she is a professional pianist. The concert was organized by Powell Piano series. I had noticed her from her shows worldwide where she had performed as a soloist of many orchestras. The concert was held in room 107 of the Mathes Hall Auditorium at East Tennessee State University.
The orchestra is acclaimed for the quality of its performances and has established itself. The orchestra tours not only within the United Kingdom and delivers acclaimed performances, but also internationally. Their concerts are broadcasted on BBC's Radio 3, BBC Cymru Wales radio and television mad BBC Four making it the most televised orchestra in Britain.
Although the concert was a mutual effort of the whole team, yet the main performer was Kate Wohlman. She was the special guest at the concert and performed Faure, Debussy, Poulenc, Argell, and Broughton. The School of Music sponsored her.
makes me forget all my worries and delve into an enlightening experience; an experience, that takes me to another world, where there is only peace, and happiness, and tranquility all around me. While I am hearing the piano being played, I feel like the time has stopped going
Indeed, in this concert, the major participants were the black population. However, also in attendance were also young audiences from the general population. This implies that the urban music’s, like hip hop performed by the African American artists like Usher have
They were seated at round tables. I also occupied a table with my friends. The dancer swayed her hips, and moved her body in a beautiful manner. A variety of energetic and poignant expressions were being portrayed in the way she articulated the dance steps. Her body was
Renzo Piano designed the building in the year 1960. Parco Della Musica is one of the largest Music complexes globally. Ever since the building was established it has been the pride of the city.
Parco Della Musica is
The tickets for the concert were available at the Royce Hall web site, where each ticket was selling cheaply at $25 for students with identity cards. The event started at 7 PM as scheduled with director Jeffrey Kahane conducting two double concertos as a pianist
The theatre was loaded with a great audience all as quiet as a grave, but the atmosphere changed drastically when Zhihua Tang released the first chord of Sonata No. 3 by Ludwig Van Beethoven. The sheer power of the first note engulfed the
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