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ART - Essay Example

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This oil painting is painted in 1980 and its basic texture is masonite. Thus, the aim of the artist was to preserve a realistic black and white photographic moment of a Native Indian youth in its…
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Number] James Bama’s “Young Plains Indian” is exhibited in the Denver Art Museum. This oil painting is painted in 1980 and its basic texture is masonite. Thus, the aim of the artist was to preserve a realistic black and white photographic moment of a Native Indian youth in its most natural, pragmatic and tinted form. The young native Indian warrior in the painting was actually present in a Montana’s Crow Fair, but Bama aimed to preserve this moment as a true heritage of Native Indian American Society (“Bama”).
(Courtesy of Denver Art Museum, James Bama)
This painting is in vivid colours and portrays a traditional Native Indian Warrior, riding on a horse, with a traditional cloth saddle. Hence, his warrior accessories entail a bow and arrow with a traditional shield for protection. The symbol of bravery in the form of brave feathers (hood) and a single feather in the hair shows his youth, lack of experience in the war affairs. Likewise, a chief would be observed wearing a complete feather head piece, but in the case of the portrait the young Native Indian American has a single Eagle feather in his hair. Two feathers on his bow depict that this warrior might have earned esteemed triumph in a short time. Lion on his shield represent his stamina and zeal to fight and possibly a Native Warrior grade given according to the custom of the tribe.
This portrait of a warrior is a symbolic representation of youth with its apt cultural association. Thus, this young warrior is known for its association. He does not have a distinct identity besides his association. Yet, he is seen as a member of a rich culture not as an individual or prominent due to his own eminence.
Closeness to nature and appreciation of mother earth has always been an Indian trait, thus, one can observe that this warrior has war accessories which are less modified and more close to their natural type. Therefore, the bow and arrow as a weapon, brave feathers as medal, horse as a mean to travel, shield probably made from animal skin and hand painted, his cloth saddle and his buckskin war shirt and kilt trousers emphasize his identity as a warrior from a tribe not a horse man minding his business in a meadow.
The warrior in the portrait seems ready for war, thus, his facial expression show determinations, which has been a true intrinsic feature of Indian society. The fearless look on this young warrior makes him more admirable and most essentially remembered. This warrior with his customary war equipment is waiting for the sound of horse hoofs to echo around and thus, he could proceed in war as a true successor.
This portrait leaves an optimist impression of Native Indian society and their rich cultural heritage. Yet, one can assume that native Indian Americans were innate determined and courageous nation. One can only preserve his heritage through practising cultural conventions, but since Indian customs have becoming extinct therefore, this portrait vitalizes their impression and vivacity as a resolute culture.
Works Cited:
Bama, James. Young Plains Indian. 1980. Denver Art Museum, Denver, Colarado. Web. 11 Mar 2013. . Read More
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