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He sees the beneficial influence of Nature in each and every object. According to him, perfect evolution of the human being is possible by his dynamic surrender to the benevolent powers of Nature. Things all around, whether small or big, are of equal importance, if one understands the balancing factors in Nature, in their proper perspective.
The relative absence of females has been very distinctly marked in King Solomon’s mines when the narrator Allan Quarter main points out in the opening chapter that he can safely say that “there is no petticoat in the entire history. “ There are of course two females, Foulest and Gigolo, but the latter was very aged and could not be married.
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There is much that aspiring teachers can learn from the writing style of author Petsinis. An exposure to the high-quality writing style of Petsinis is a valuable experience. One element that they would absorb from such an exercise is understanding the importance of keeping audience attention. Good teachers happen to be those who manage to gain the attention of the class right through the lecture.
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Fundamentally, the racist view in America is to be studied historically with Stowe, even as she represents the white abolitionist sentiment, for it is from the shared views on race that dominated America at the time that the institution arises and perpetuates itself in inhumanity. Through this, the novel is opened up to Stowe’s own racial stereotypes by the way she presents Uncle Tom.
Just as militarily weaker humans have been subjugated and conquered by invading armies from stronger groups, so did the humans face terrible suffering at the hands of the invading Martians. In fact, the human ‘victory’ did not come through anything that the humans created but rather that which had been created by nature.
The biggest secret he holds is a secret the tears him apart but also sets him on a journey to discover the memory of his father. His biggest obstacle is the one that faces everyone - that of communication. In times of grief, communication is the first casualty.
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Millennial novels like ‘Caucasia’ seem to resurrect the notion of a new and spectacular life. The description of racial passing by Senna has emerged from seeming oblivion not to delve into past issues. In novels such as ‘Caucasia’, the theory of racial identity is not some outdated phenomenon, but rather a challenge of the strength of racial passing in posing a contest to the endurance of human identity and formation.
Elaine Showalter (1986) observes, “In contemporary writing, the quilt stands for a vanished past experience to which we have a troubled and ambivalent cultural relationship.” (228). The quilts over which Wangero and her mother bicker, represent a heritage more personal than the intellectual daughter realizes.
The passive male who waits for things to happen is clearly evident in both plays since Antonio is the passive male figure for the Merchant of Venice. On the other hand, women such as Portia and Jessica as well as Gwendolen and Cecily become powerful players in a social setup which traditionally did not allow women to have any power at all.
The years during which Woolf lived were chaotic times politically and socially. World War I (1914-1918) had shaken the world to its roots, introducing numerous new concepts in the social order, technology, modern urban issues, and new ways of looking at the world. Nearly all of Europe was devastated during the First World War.
Life switched from being primarily dictated by the land one owned to a social structure based on commerce and manufacturing (Greenblatt, 2005). In this switch, there was a great deal of social upheaval as people living in these changing times began to question the status quo.
Whatever faults the book is accused of would diminish as the great meanings of it unfurl one by one to its readers, no matter which community of nationality they belong to. There is no other novel that has simply conveyed an abundance of meanings just through its title and then by the narrative that stays as close as possible to it.
The audience can apply the advice to their life since the advice is made up of many different axioms which were very popular and well known in those times. He asks him to keep tried and tested friends close to his heart and not let them go. He tells him to listen to everyone but not talk to everyone and keep his judgments to himself.
A large part of the plot is devoted to a trick played on Malvolio in which he is given to think that the lady of the house is trying to woo him with hints and signs of her love. The reality in this situation is simple since Malvolio is led to believe that such a social mismatch might be possible indeed.
Any work of art is a reflection of the artist’s thoughts. Postmodernist theories try to separate the work of art from the artist and emphasize the role of the readers. According to the postmodernist thinkers, readers play a significant role in decoding the text and it is the readers who actually give meaning to it.
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Love is not only magical but is also dreamful. As suggested by the very title of the play, dreams become a significant thematic scheme of the play. The love juice is applied mostly when the characters are sleeping and they wake up dreamful into the wrong reality, leading to all the magically bizarre mishaps in the forest. Characters talk about dreams throughout the play.
Poetic language reconciles opposites, according to Coleridge and this is a perfect example of paradox. According to Cleanth Brooks, “paradox is the language appropriate and inevitable to poetry”, as he explains it in his seminal essays on literary theory and criticism “The Language of Paradox” in his “Well Wrought Urn”. Paradox is used to present contradictions, irony and highlight the implications in a situation, relationship, themes, and so on.
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Based on this story, Joyce Carol Oates wrote a book named “Lady with the Pet Dog” which is based on the 1970s and occurs in a place called Nantucket. Both books have similar plots or storylines where we find the lead pair getting involved in an affair outside their marriages, and both stories end where the chief protagonists seemingly find true love.
Onboard the train was a white woman and another individual with a Native American background. The woman conversed with the other passengers about the history of the city as they passed landmarks in the city that depicted the Native American culture.
The two stories are mainly about two married couples. The two families could not afford whatever they wanted. In Henry’s work, the two partners struggled to save the little that they had to buy Christmas presents for each other.
The pervading sense of sadness is not the only emotion he expresses however, as evidenced in his poem “If We Must Die.” Here, he encourages his fellow black men to fight back against the system that has condemned them to such a miserable life. This anger is partially fueled by his outsider perception of what has occurred.
Both Eragon and Harry have a choice to accept or deny those destinies. Both will travel the life-changing road as outlined by Joseph Campbell in his theoretical discussions of the hero myth. Harry and Eragon will struggle with the duality of good and evil, overcoming the power of that conflict and fulfilling their potential.
Enjambment is used even here but unlike the case of Browning’s poem, the syntax is not awkward in nature. He uses the conventional ballad structure to narrate the incident. Various metaphors have been significantly used in the poem especially in phrases like “fever dew” and “anguish moist” (Frost, 243).
These narratives are powerful visual storytelling mediums in helping visual thinkers to explore the subject and interpret matters ranging from historical to fantastical matter in diverse ways with no restrictions. The use of symbolism, allegory, metaphors, and simile makes the reader dig much deeper as compared to traditional books or narratives.
He fails, however, to make many interesting or original points that cannot be found more thoroughly developed and explored in other texts, meaning that someone with an already existing knowledge of Greek sport may come away from this text somewhat disappointed. The work makes its points well, but the points would perhaps be better if they were more original and insightful.
The elementary difference was that Paul was able to perceive Christ as the savior of men and God as the lover of all men whereas the crowd who persecuted him merely recognized God’s love as exclusive to the Jews. They were egoistic in their belief because they wanted to confine the preaching and messages of God to themselves.
The Postscript however would suggest another perspective assuming that the old wealthy man appearing as one of the New York Corporation audiences is really Ichabod Crane, as his description seems to fit the character. Now old, but wealthy and worthy of respect and deference, Crane would, in this sense, seemed triumphant in the end.
When his father, Mr. Compson cannot even provide fatherly guidance, Quentin feels all the more depressed when he realizes that his father does not even care about the Southern code and was indifferent to the disgrace Caddy's conduct has brought on the family. These realizations pushed him down the abyss of despair that eventually ends in suicide.
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The Bible was not written for scholars alone, however, but to meet the spiritual needs of all people. These passages from Genesis are often seen just as a description, perhaps wrong, of the creation process. However, if they are considered as being a consideration of the relationship between God and his creation and in particular with mankind, then a whole new dimension emerges.
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Samuel Selvon, a Trinidadian by birth, grew up in a multiracial, multicultural society. His powerful sense of displacement and feelings has found its way in a subtle form into his fiction. The Lonely Londoners, the first novel of his Moses trilogy has been given recognition as a landmark in the literature. It has been treated successfully with a narrative in Caribbean English.
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It should be noted that Heed and Christine were intimate friends in childhood. However, the vengeance that emerged between them as they grew up is firmly rooted in their relationship with Cosey. Christine was eight months older than her Heed, and had been sent away after Cosey’s marriage with Heed, “throbbing with girl flesh made sexy”.
Jhumpa Lahiri’s A Temporary Matter and When Mr. Pirzada Came to Dine involve the stories of a couple that slowly drifted apart after a tragedy struck them and a family left behind in a war-torn country. Nora Keller’s Fox Girl, on the other hand, tells a story set in post-war Korea where two schoolgirls are caught in the harsh realities of life while growing up in America Town.
Analysing the themes of Elizabethan plays a reader can easily find that revenge is a selfish villain with numerous motives that promotes violence in most of the Elizabethan revenge plays. Thomas Kyd’s The Spanish Tragedy and William Shakespeare’s Hamlet are widely established examples of revenge plays. The term revenge and vengeance are important tools for revealing human instinct.
The Garden of Love by William Blake and Home-Thoughts from Abroad by Robert Browning are two very different poems; yet, they contain certain similarities. William Blake belonged to the poetic era known as the Romantic period. While Robert Browning wrote during the Victorian era. These two poetic eras held many different background events, both social and political which influenced the poetry of those times.
The three pieces are rendered through a variety of styles and with various literary devices in order to construct worlds that suit the purposes of their universes. Both Pirandello and Shakespeare create two worlds in which to balance their ‘story’ so that they can challenge their audience to think on more than one level. For Rowling, the challenge was to create a single world in which all of the events in Harry’s life could seem plausible.
The concept of war and fighting is one that Beah shows in his memoir, Long Way Gone. The encounters of the civil war and fighting as a child show how this impacted his life psychologically, emotionally and mentally. Learning to fight and to win wars, building strength to the bloodshed and implying the personal reactions are all noted as a part of the details which are recounted in the book.
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Rawley’s arguments regarding Bleeding Kansas are used as a basis from which to highlight the extent to which race has played a role in shaping American politics. Rawley’s book not only re-evaluates commonly accepted theory on Bleeding Kansas and the Civil War by highlighting the importance of race; it goes further than existing literature in this area by going beyond a mere narration of events.
The main idea of the story defines the line that exists between fantasy and reality. Fantasies are stunning, beautiful and pure while realities are harsh, cruel and brutal. It is portrayed through two main characters Connie and Arnold Friend. Connie is a fifteen years old girl, a typical adolescent, lover of music, theatre and boys.
Already in his old age, Willy still worked hard earning for a commission as a salesman. Linda is just a plain housewife who appeared to be erudite of his husband’s present mental and emotional health. The two sons arrived home for a break. Both had their own life. While Happy’s life has been a good one at his own, Biff’s seems to be miserable.
Publius Vergilius Maro is a poet whose best known for his poem Aeneid, which is considered the national epic of Rome up to date. In his twelve-book poem, he describes the journey of Aeneas, who is a warrior fleeing the capture of Troy to Italy, his stay with the Dido Queen of Carthage, and his battles with Turnus an Italian prince.
This article depends on the examination of two perspectives on the waterway by Mark Twain exposition. The paper uncovers the section of an individual from uprightness to comprehension and how certain stuff change and lose their beauty in the wake of turning into another thing.
She had relocated to the north with her parents, where she had a better chance of having a quality life. Sadly, she lived in a society that was divided between races.
Some people are madly focused on their ambition that they would do anything humanly possible to achieve them. Sadly, many end up making irrational decisions that soon prove costly to them as they end up in isolation.
Upon first entry, he notices that the town is nearly empty, with only a dozen individuals roaming the streets. Then, he comes across a house that he is invited to stay in for a few days.
Both are men, but that does not mean they are free to share and seek to grow together. Tobias Wolff highlights the relationship between father and son in the story, “Powder.”
Skip ahead a century of progress and women’s emancipation, inequalities have not disappeared altogether. While the specific details of the inequities between the genders have morphed, the theme is alive and persistent. In this sense, The Kiss is a story that offers interpretive and analytic scope across many disciplines and issues.
The most influential scene of the play was the carpet scene where the Clytemnestra attempts to bring the family daemon to bear on Agamemnon. The moral downwards spirit of the Oikos is encouraged by Clytemnestra which thus in the end acts against her and causes her death by the hands of her own son.
In the essay: “The Use of Name Significance in Their Eyes Were Watching God,” the writer provides critical evaluations that make use of a name that defines the relevance of characterization.
Life, from the perspective of the narrator, is seen to bring some negative overtones that might gradually be seen year by year with the social and family setting. The narrator of this poem makes use of negative undertones, imagery, and similes to develop and define the different aspects of his life stories.
In the whole narrative, the nymph, prostitutes, and mothers can shape the tales due to the impact of their activities. The feminine nature in the whole fabrication is indicated as a character with significant control of their male counterparts.