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Critical Account of Ashberys Clepsydra - Essay Example

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"Critical Account of Ashbery’s Clepsydra" paper focuses on this poem that is a narration of the scenic and concrete reality of the world, but a deeper understanding of the poem seems to divulge a new horizon, before the readers, of the poet’s “hovering” mind…
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Critical Account of Ashberys Clepsydra
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Download file to see previous pages Though the poem recounts various features of the exterior landscape such sky, sunshine, hilly sites, summer, clouds, mirage, waterfall, air, draught, etc, the readers, at some moments, becomes aware of the interiority of the narration and also become absorbed into the poet’s “reckoning” soul that conjures up the interior landscape of mind basing upon this reckoning. Indeed both the form and the content of the poem are complementary to each other. Especially the form of “Clepsydra” is designed in a way that ensures the theme of the “graceful non-absence”, abstractness and the wholeness of truth to be intermingled with the description of concrete reality.

As a poet, John Ashbery appears to be well-aware of the limitation of language and the perception of his readers. He is aware of the fact that there prevails a “dividing force / Between our slightest steps and notes taken on them” (Ashbery 31). As an attempt to overcome such a “dividing force” Ashbery creates enough space for his readers to be accustomed to his writing, thought-process, and also with the inaccessible nature of his subject-matter. Therefore he has to make several beginnings and peripheries in “Clepsydra”. Later in the poem, Ashbery comments on such beginning that “There was no statement / At the beginning. There was only a breathless waste” (Ashbery 29). He also remarks on the effect of such beginning that it is meant to shape: “everything in projected / After-effects orphaned by playing the part intended for them, / Though one must not forget the nature of this / Emptiness” (Ashbery 29). Indeed such declaration of the speaker does not totally discard what he tells about the elusive nature of his object of the quest. Indeed in the prevision, the poem deals with the limits of language that the poet calls, “Exaggerated strictness of the condition” (Ashbery 30). It is something that the poet calls, “both mirage and the little / That was present, the miserable totality / Mustered at any given moment” (Ashbery 29). ...Download file to see next pagesRead More
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