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John Dos Passoss Representation of Women in U.S.A. Trilogy - Essay Example

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The paper “John Dos Passos’s Representation of Women in the U.S.A. Trilogy” evaluates the U.S.A. Trilogy by John Dos Passos. The trilogy attains greatness, one could argue, since it embodies a turning point in Dos Passos’ career. In the previous novels, he had to work out the technical dilemmas…
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John Dos Passoss Representation of Women in U.S.A. Trilogy
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Download file to see previous pages It is not this extreme specific interpretation, yet somewhat the special highlight on this interpretation, that has misted up the animation of Dos Passos’s works through failing to recognize the potentialities of other arguments that might extract mutually on U.S.A.’s complex intermingling of modes and standpoints (Casey 1995). Certainly, a much closer investigation of what readers may refer to the nonessential styles, such as the Newsreels, Biographies and Camera Eye portions, discloses another inclination, one that is corresponding to the worker issue; namely, the subject matter of gender stereotypes (ibid). Once this design has been segregated and emphasized, it permanently influences the reader’s understanding of the power struggles in the fictional novels that shape the heart of the narrative. More significantly, nevertheless, is the manner such an interpretation could change the reader’s understanding of the purpose of the fictional novels; it seems that they suggest an artistic challenge to the partially accurate, partially historical embodiment of women, particularly in the sections of the Biographies and Newsreels, and they are partly a representation of the novel and all-embracing social consciousness of the Camera Eye character. In other words, an interpretation of the presentation of women and the issues surrounding womanhood in the peripheral styles directs readers to perceive the fictional novels as an optional discourse in which women turn out to be articulating characters than passive and submissive entities (Casey 1995). The portrayal of women all throughout U.S.A trilogy indicates accurately a sense of historicity. One of the initial concerns readers observe regarding the novel is that the approaches that fundamentally document public activities, the Biographies and the Newsreels, demoralize and underestimate women; the former approach recognizes their total absence of influence in history, whereas the latter documents their mediocre and often humiliated social position. The Camera Eye character, nevertheless, is an extremely receptive observer who improves into not merely a political rebel but a writer whose task will be the defense of the marginalized; as he mentions in his final appearance (ibid). This writer, the unspoken creator of the trilogy, will shape a dimension of his own imagination in which women’s existence and point of views will be as weighty as that of the men’s. In other words, he will restructure reality, restoring women’s social status in their due place in history. ...Download file to see next pagesRead More
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