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esponse you said: “The second line takes a different approach to the same purpose, putting god as not only the greatest power but the greatest knowledge”. You have defined God as an all-knowing entity that appears in the universe. It is the true notion in general, but it seems to me that Caedmon’s song does not refer to such idea. What is more, this creation has been made to convince the audience into the devolution to the Christian religion. “Father of Glory” (Bede, 5) is the next describing expression that appears in Caedmon’s song.
This one underlies that God has a right to represent a divine glory in our world. He is the creator, so author intends to manifest this peculiar side in the third line. The word glory has been treated to the oldest determinations of honored people and acquires positive connotations in religion. In addition, we have one more expression “eternal Lord” (Bede, 5) that means lord of everything. Such explanation is natural, as we observe the story of world creation. Caedmon’s song gives an accurate and imagery explanation of the story of universe origination step by step.
This piece of art does not represent any information about the nature of God or his role people’s life. However, I do share your ideas about this creation as a tool for conversion and importance of descriptive models in the text. You suggest the idea of woe coming after joy as inevitable, and regard it as the basic concept used in Beowulf. Moreover, you refer to the Bible, and successfully confirm that notion. In your work you say: “While this psalm contradicts the question: what is the effect of emphasizing the pattern that after joy comes woe I think it also plays into the context of the poem by enhancing the significance of the cruel deed.
” I do agree with such suggestion and maintain that idea of woe after joy is elucidated in both Beowulf and the Bible. A parallel to the concept “after joy comes woe” as you mentioned in your work is
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