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Compare and contrast the treatment of love in the following Romantic poem and extract from a Romantic poem Charlotte Dacre's 'I1 Trionfo del Amor' and Byron's - Book Report/Review Example

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Any piece of poetry must arouse a personal response in the reader, and with a universal topic like 'love', there is no doubt that both these pieces succeed in eliciting that response. There must exist within the work, enough universal truth to bring about recognition and thus appeal to many…
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Compare and contrast the treatment of love in the following Romantic poem and extract from a Romantic poem Charlotte Dacres I1 Trionfo del Amor and Byrons
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"Compare and contrast the treatment of love in the following Romantic poem and extract from a Romantic poem Charlotte Dacre's 'I1 Trionfo del Amor' and Byron's"

Download file to see previous pages This extract, because of its personal appeal, will be discussed first. As a long narrative poem, the poet has much scope for setting the scene, telling the story and introducing meaningful characters and their personalities or condition, and to work towards a climax in whatever way he chooses. It is almost as if Byron is the conductor of a comic opera, employing all nature as his stage setting, and all the foibles of humanity in his players. Sometimes he is in charge, directing the action, at others he appears to be standing in the wings, slyly murmuring wicked asides to the audience/reader. All the time, he allows us glimpses of his own sardonic wit, using bathos to delicious and 'naughty' effect in this ottava rima verse form. The repeated rhymes in the first six lines are supposed to prepare the reader for the epigrammatic closure in the last couplet, but consider the comic effect his final lines have in many of the verses:
This follows on from a description of Juan looking at the stars, the sky, of man and what might be termed as all manner of 'heroic' and high-flown matters. Then 'bump', Byron brings him down from the sublime to the commonplace. The poor boy is lovesick, the poet makes us aware at once, but is
2.
laughing at him, sometimes gently, sometimes cynically, as he depicts the 'adolescent crush' scenario, or just the pain of first love. Like any young man, disturbed by hormones, "Dissatisfied, nor knowing what he wanted;" (V. 96, L. 762), Juan veers from the higher plane of romantic dreaming, to the earthy lust he cannot control.
Byron invites the reader to sympathize, while making us laugh at the youth's predicament, possibly eliciting personal memories in the process. He pokes fun, not entirely innocently or kindly, at his fellow poets, using them effectively in mosaic rhyme thus:
"Unless, like Wordsworth, the prove unintelligible." (V. 90, L 720)
and
"And turned, without perceiving his condition,
Like Coleridge, into a metaphysician." (V. 91, L. 727-728)
Steadily, he builds a picture of a youth swooning with love for the beautiful wife of an older man, while ensuring the physical, lustful aspects of this love are made evident. He then takes pains to describe the season, the date, using repetition in V. 103 and 104, even the time of day set the scene. Such details seem to play with the reader, building tension, reflecting that which is undoubtedly building in young Juan, and demonstrating the poet to be in charge of all that is taking place. The alliteration, (V. 104, L. 829) 'held', 'houri' (nymph of Islamic paradise, no lady) 'heathenish', 'heaven', serves to call to mind another 'h' word, 'heat' and possibly apply it to the protagonists, as well as the weather. The picture he paints of Julia is saccharine-sweet, causing the reader to wonder just how innocent and honorable she is, and who will be seduced, who the seducer
The digression into 'fifty' which occurs in V. 108 seems to damn fair Julia further in the reader's ...Download file to see next pagesRead More
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