Cinderella is one of the more famous Grimm Brother’s fairy tales that have made it as a Disney adaptation, immortalizing it in people’s pop culture sensibilities. Panttaja’s essay is out to convince the readers about her uncanny interpretation of the Cinderella story…
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Cinderella is one of the more famous Grimm Brother’s fairy tales that have made it as a Disney adaptation, immortalizing it in people’s pop culture sensibilities. Panttaja’s essay is out to convince the readers about her uncanny interpretation of the Cinderella story. This paper offers to rhetorically analyze the essay in order confirm if it was indeed successful in letting the readers understand what the author is trying to conveyThe Cinderella story centers on an orphaned girl who triumphed over her stepmother’s and stepsisters’ evil plans to enslave her and generally make her suffer. Villains failed in making the protagonist suffer, because she has had help from a magical tree that made things easier for her. In fact, that magical tree let her marry a prince, making her a princess, and her stepsisters were left blinded by birds in their house! In Elisabeth Panttaja’s essay, “Cinderella: Not So Morally Superior”, she argued that Cinderella wasn’t really an orphan. She says that the magical tree that helped Cinderella deal with her trials was actually her magically-represented mother. Thus, the whole story was a spectacle on Mother vs. Mother power struggles (that of Cinderella and that of her stepmother’s). Cinderella was not the moral, goody-two-shoes protagonist that she is portrayed as. Like her stepsisters, she is scheming (“she plots, she schemes and she wins”, Panttaja, 1993, p. 645) and she uses magic to lure the prince into marrying her. Panttaja’s essay is out to convince the readers about her uncanny interpretation of the Cinderella story. This paper offers to rhetorically analyze the essay in order confirm if it was indeed successful in letting the readers understand what the author is trying to convey. Because of Panttaja’s manner of convincing the readers into agreeing with her points by using ethos, pathos and logos, this essay is quite successful especially for her intended audience, who are, theoretically, literature students who understand literary analysis and Freudian interpretations. Body Panttaja’s essay is successful because of her effective use of the elements of a good argumentative essay: ethos, pathos and logos. True, not everyone would have agreed to the fact that Cinderella was more or less like her evil stepsisters, especially in the scheming and winning department, but after reading the essay, you somehow agree. This is because Panttajja has addressed ethos, pathos and logos. The ethos part of the essay, the one which addresses the “ethical nature of the person making the appeal” (Behrens and Rosen, 2008, p.151), is used well. Of course, Panttaja does not blatantly tell the reader in the body of the essay that she is an expert in Freudian analysis, but reading the brief analysis before the essay validates her claims, as it states she is a professor at Tufts University and it is indeed a Freudian analysis. If the readers have overlooked this, they may as well discover for themselves through research after reading the essay (as I did), because the reader would have his curiosity piqued regarding the author’s authority, background and knowledge for these claims to be valid. The author also writes with an authoritative tone that convinces the reader that the writer is quite knowledgeable. The author also addresses the emotions (or pathos) element, although quite subtly. Her emotionality does not trigger sympathy for the protagonist, but rather a sense of indignation. She presents her essay in a manner that would shake your previous (usually childhood) beliefs about the fairy tale, and it can seem rather traitorous for Cinderella and her mother to be THAT cunning. Even the fact that she has a mother makes the reader question about the sympathies he has with Cinderella. In effect, the reader ends up sympathizing with the stepsisters because they are treated cruelly (especially since the author mentioned that the prince was enchanted “with the sight of her in her magical clothes… Cinderella’s clothes are indeed miraculous since they turn a deformed girl into a woman whose beauty surpasses the already fair,”
According to the research findings, it can, therefore, be said that Panttaja’s article incorporates quite an innovative and new look at the well-known and popular fairy tale. She re-discovers the story with a controversial but still substantiated, attention to the facts that could stay hidden for the larger part of the readers.
As the author of the text puts it, even in the high-tech twenty-first century, parents make use of these traditional tales to instill important lessons in their children – we have all, in part, learned decency from stories. "The Frog King", for example, teaches us that it is always worthwhile to keep our promises, even those made in haste.
Ultimately, Sexton powerfully evokes feminist ideals in vividly portraying the undesirable realism of the general events that unfold in the Brothers Grimm story.
Sexton's use of imagery to evoke a felling of absurdity is evident throughout her poem, and is used as a tool to editorialize about the state of modern society.
However, if Superior has a policy of accepting projects with only a life span of 3 years, investment in this project will be rejected as total investments will only be recouped after 6.13 years. It should also be noted that the NPV for the first three years will also be negative.
Yet if euthanasia is morally wrong, it still should not be restricted via law, as if a patient desires to die, that is strictly a personal affair, in spite of how irrational or immoral the need may be. My position is almost identical, for I do consider some instances of euthanasia to be morally wrong, if it is not voluntarily, however I also believe it ought to unquestionably authorize if it is asked for.
4. Poached eggs. Boil water with white vinegar and salt. Gently break each egg into the water. Fold the white of the egg over the egg gently with a spoon to get the right shape. Remove eggs with a slotted spoon and drop in ice-cold water and set aside.
The filmed portion also reveals extends of exaggeration on action of Cinderella and the other characters in the film. The film reveals of symbolic figures. For instance key, fairy godmother and glass slipper which have intensive and hidden information to deliver. Glass
The paper explains that it is just not a love story it’s constituted many of the ideas that make it is a very strong story of how destiny is inevitable. Having different perspectives to the story with different variants of details Cinderella and is then perceived differently in all parts of the world.
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