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Press Release Critique The press release on Jawshing Arthur Liou is an informative piece that highlights the extent to which art has evolved over the years. Insights into the IU press release show that digital art is an important practice in the contemporary world. This makes the release suitable for a variety of audiences. Primarily, student and teacher artists of digital art constitute media audiences that would be interested in the release. This is because the release emphasizes the acknowledgement digital art is gaining across the globe.
The release is also of interest to art enthusiasts. Change, variety, and diversity are critical as far as art is concerned, an aspect that makes the release vital to the academic, community, and social fraternity.Media outlets approachable with this release include, but are not limited to, online platforms, print media, and the broadcast media. This is because the highlights made in the release are appealing to the intended audience. The release is purposeful and driven by an identifiable goal to display and position “Kora” in the contemporary artwork.
In this respect, the lead works because it does not only present Liou’s masterwork, but also adds variety and diversity to contemporary art.At a personal level, the release is interesting because it brings into perspective both “Kora” and Mount Kailash. While many people may not pay attention to the two, it is captivating to learn about both “Kora” and Mount Kailash with respect to the ‘State of the Art’ Show. However, the press release fails to capture personal inspiration or motivation behind Professor Liou pursuing the “Kora” from an artistic point of view.
Amid this, the length of the release was appropriate because all the information presented is relevant to the subject matter. Finally, the following questions emerge after reading the release:What were the criteria for selecting artworks for the ‘State of the Art’ Show?Were all artists or artworks subjected to the same process of selection?Are there any other key stakeholders in the ‘State of the Art’ Show besides artists, curators, and museum personnel?
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