Examine how photographic portraiture has often been utilised for the honourific representation and/or subjugation of particular - Essay Example

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EXAMINE HOW PHOTOGRAPHIC PORTRAITURE HAS OFTEN BEEN UTILIZED FOR THE HONORIFIC REPRESENTATION AND/OR SUBJUGATION OF PARTICULAR SUBJECTS Name Institution In the photographic practice early ages, one can detect a yearning of rendering photography as a painting continuation…
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Examine how photographic portraiture has often been utilised for the honourific representation and/or subjugation of particular
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Extract of sample "Examine how photographic portraiture has often been utilised for the honourific representation and/or subjugation of particular"

Download file to see previous pages Like other forms of portrait making, the photograph focus is normally the individual's face, though the entire body as well as the context or background may be encompassed. Photographic portraitures use a number of methodologies in representing their subjects. Such approaches include environmental, constructionist, creative and candid (Jones 2002), (Lacoue-Labarthe 2006) and (Keating 2006). This paper, therefore, aims to examine how photographic portraiture regularly been utilized for the honorific representation and/or subjugation of particular subjects. Below is a photo from 1865by Cameron Julia Margaret (Figure 1). People have a tendency of underestimating the value of colours in their perception of white and black photographs (Sobieszek 2009), (Castleman 2007) and (Bazin 2005). Anyone who sees the picture for the first moment might definitely think the photo is a colourless ancient image. Nevertheless, this picture is not pallid. In contrast its shade is very effectual. So efficient that it could induce the indication of a statue. The greyish-brown, which governs the image, resembles a shade of a statue aged and dirtied with time. Furthermore, the grains generating that shade are noticeable and they provide the feeling that the 2 figures possess a coarse body, composed of tiny particles, which can be felt when stroked, like the marble, and clay particles or other deposits that can be felt when touching a sculpture. This photographer has used an environmental approach where the subjects are represented within their environment (Jones 2002), (Lacoue-Labarthe 2006) and (Keating 2006). Figure 1. Julia Margaret Cameron, Divine Love, Mary Hillier 1865. Image reproduction in Helmut Gernsheim, Julia Margaret Cameron: Her Life and Photographic Work, London : Gordon Fraser, 1975,13. Nevertheless, texture and colour are never the only features of the photo, which establishes a sculptural look (Sobieszek 2009) and (Castleman 2007). The two figures’ posture, their motionlessness without any suggestion of exhaustion, their subtle bond with each other wherein the woman embraces the child incredibly gently as well as touches his forehead with an affectionate kiss, augments the sculptural look of this photo by giving the feeling that each gesture is thoroughly calculated, arranged, and executed without leaving room for opening, or unpredicted occurrences, which would sharply distort the image (Castleman 2007), (Caffin 2003) and (Owens 2002). Bearing all these in mind, some questions concerning the image’s nature could be enquired like: Why the image has a sculptural look? Why the subjects pose in that manner? Is it likely that they denote a child and his mother? Why are the mother and the child garbed in old-fashion apparels, then? Are they imitating or acting other pictures, other postures. Are they impersonating Christian iconography? To answer these questions in detail, it is important toexplore the primary outset of photography (Sobieszek 2009), (Flusser 2008) and (Castleman 2007). The portraiture usage was not detached from its exploitive use. Starting with being an inexpensively affordable artistic pleasure, photography developed afterward a useful social machine that generated a social collection containing as well as forming the bits of the figures of "inferiors" and "betters"Sobieszek 2009), (Flusser 2008) and (Castleman 2007).Therefore, delivering a listing of leaders, heroes, celebrities, moral exemplars, and of the deprived, the sick, the crazy, ...Download file to see next pagesRead More
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