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Nationald Gallery - Essay Example

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A voyage trip into the national gallery London Museum one notices one of the greatest, perhaps the greatest, public collections of a wide spectrum art ever formed. It vividly contents with any serious human entity with awe and wonder to be compelled to appreciate this collections that form a great passion and the powerful creative process of art making…
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Nationald Gallery
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"Nationald Gallery"

Download file to see previous pages The works blend with the design and architecture of The New Art Gallery enhancing the visitor's experience of the works by showing them in new and interesting ways and making connections between old and new art. However, local artistic styles were not lost completely and they make up an essential element of the mature English Romanesque style. In religious painting, this is characterized by the use of abstracted or distorted figures, which are fully coloured and delineated by solid outlines. Frederick Antal (1962)
The area above the door itself provides the artist with a large semicircular field called the tympanum within which to carve both decorative and narrative subjects, which are supplemented by ornament applied to the door jambs, arches, and capitals. These carvings are often highly imaginative and amusing blending in some religious and secular imagery within one small area.
Compositions are generally formal and patterned, while physical space is indicated by rectangular background panels. Exaggerated facial expressions and gestures portray religious drama scenes. Numerous illuminated manuscripts made for the new monasteries, seemingly indicate an essential element of the Norman establishment. Azzopardi (2001)
The most unique collection includes paintings, drawings, sculpture, photographs, video and installations from artists and public and private collections in Britain and abroad. Major works are included by Francis Bacon, Per Barclay, Cecil Beaton, Bruce of LA; this exhibition highlights the artist's preoccupations with urban and natural landscapes and with human perception and interaction. Encompassing large-scale video and sound installation, photography, drawing and film, it gives a first UK staging to a number of newly-completed works.








Office Architects, the exhibition includes a wealth of historical and contemporary drawings alongside models, collage, computer modelling and extracts from films. While many of these ideas were intended to enthuse and convince clients about real architectural schemes, some were private fantasies, exploring how the world might have looked today had the tastes of our predecessors been different. The collection of art includes works by Robert Adam, Archigram, Sir Charles Barry, Etienne-Louis Boullee, Sir William Chambers, Foster & Partners, Future Systems, Erno Goldfinger, Eric Mendelsohn, John Nash, Softroom, Paolo Soleri and Tecton.


This art includes work painted of a dramatic floor-ceiling projection recreating the artist's ascent up a thirty-five metre deep Antarctic crevasse - together with a recent commission, Sky Drawing (Night, Day), which focuses on the movement of air traffic over Birmingham. Until recently the society has been developing collaboration with Vivid, Birmingham and includes work commissioned by Vivid with the support of the Henry Moore Foundation.

Infected by Gina Czarnecki and Iona Kewney is a haunting video installation about the nature of the physical body in the context of future technological possibilities, seen through dance and digitally manipulated imagery. Men in the Wall by Liz Aggiss and Billy Cowie are a four screen, 3-dimensional stereoscopic installation. Each life-size 3D 'frame' is inhabited by a man whose world is tightly choreographed and scripted. Viewers can experience the men's shared, framed lives ...Download file to see next pagesRead More
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