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While Tintoretto does not conform to symmetrical lines, he however utilizes high renaissance composition through the utilization of symmetrical balance. In terms of linear perspective, Da Vinci’s and Veronese’s paintings places Christ as the calm center in which all perspective lines and action focus on. This is similar in Tintoretto’s painting in which the focus on Christ is achieved through the utilization of light and darkness. All of the three setting utilizes the last supper in which the main participants are Christ and his 12 disciples.
The three paintings also have some differences. One of the main differences is that Da Vinci and Veronese paintings mainly utilize high renaissance elements while Tintoretto utilizes mannerist elements such as visual complexity and imbalanced composition (Kleiner, 494). In terms of color and linear perspective, Da Vinci utilizes straight lines and soft colors with ample lighting. Veronese on the other hand utilizes Romanesque elements in which various arches are present throughout the painting plus soft consistent colors (Kleiner, 494). Tintoretto’s painting on the other hand uses inconsistent colors with diagonally running perspective lines that result a sense on motion and depth. In Da Vinci’s painting the setting is the last supper with only Christ and his disciples. Veronese however adds more people in his painting while Tintoretto incorporates angels and halos on his painting.
The Last Supper has for a long time been a favorite theme in many paintings, both in the past and present. Due to the position and power of the Church in the past, these paintings transformed the manner in which artist carried out their work and how art developed through the
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Realism strongly came out in 19th century art. This can be understood through the stimulating character of realistic art. Realistic art in 19th century should be seen in the perspective of social and political structures, and pictorial and aesthetic conventions1.
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